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WOFFF – Short Script Contest for woman over 50 now open

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The WOFFF20 short script competition is now open. The competition is open to as-yet unproduced, complete short drama scripts, under five minutes, centring on a woman over 50 or written by a woman over 50. Shedunnit Productions returns as the key partner sponsoring this competition.

WOFFF Awards and Prizes

The Shedunnit Productions Prize awarded for the winning script is a script consultation with Helen Jacey, founder of Shedunnit Productions and Author of The Woman in the Story: Writing Memorable Female Characters. This consultation can be for a feature screenplay, TV pilot or short film. She says: “It’s a privilege to be judging the WOFFF Best Short Script Prize for the second year. I’m excited to discover some fantastic older female characters on the page – or scripts penned by fabulous older women filmmakers! Short scripts are not necessarily easy to write, but done well, they are utterly impactful.“

Other 1st place prizes include a signed copy The Woman in the Story: Writing Memorable Female Characters by Helen Jacey, a winner’s certificate and a bottle of Mother’s Ruin gin. This prize is sponsored by Mother’s Ruin Gin. Runner-up short drama scripts prizes include a signed copy of a Helen Jacey book and a winner’s certificate

Submit Your Short

This is a competition for completed short drama film scripts up to five minutes in length with a woman over 50 at its centre or written by a woman over 50. Submissions are open from 22 June 2020. The deadline for this competition is 25 July 2020 or the date when 50 scripts are received by WOFFF, whichever is sooner.
Click on the Filmfreeway below to read the full details of the competition and how to apply.

 

Source: http://wofff.co.uk

 

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Global Short Docs Forum – Open for Submissions

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Global Short Docs Forum connects short documentary filmmakers with digital media platforms. The Global Short Docs Forum 2020 brings together 12 filmmakers selected from a global call, to attend an intensive online training programme and one-to-one pitch meetings. Over four weeks of masterclasses, workshops and mentoring we will take your short doc from conception to commission.

What are the benefits?

  • Invaluable pitching training and mentoring
  • Workshops + masterclasses from industry experts
  • One-to-one meetings with digital platforms
  • Connect with doc filmmakers from all over the world
Who are we looking for?
  • Filmmakers of short documentaries with new and original narratives.
  • Open to applications from all over world, with documentary projects up to 30 mins.
  • Special interest in stories that have a social, political or cultural narrative, take a solutions journalism approach or give us a new perspective on the changes we want to see in the world.

How does it work?

  • The annual call for applications is open to all.
  • Selection is based on the filmmaker’s proven ability and the strength of the story, characters and footage provided.
  • 12 selected applicants participate in a 4 week intensive online training programme and one-to-one pitch meetings.
  • Applications to GSDF 2020 are free.

Global Short Docs Forum 2019

For the second edition of the Global Short Docs Forum, 16 short doc filmmakers, 7 digital platforms and a whole host of industry experts gathered at Docudays UA in Kyiv, Ukraine. The 4-day workshop was an incredible whirlwind of masterclasses, storytelling, collaborating and pitching. Find out more about GSDF 2019

 

Source: www.oneworldmedia.org.uk

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Production Assistant Intern Wanted – Slinky Productions Birminham

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POST: Production Assistant Intern (12 Months Full Time)

ROLE: 1 Year Student Internship for University Students Studying Video / TV / Film. You must be about to start your 2nd year of University as this internship must form part of your studies. If you are in any other year of study, have completed your course or have already graduated then unfortunately we can’t offer you the position.

LOCATION: Based in Birmingham (UK), but you will be expected to travel throughout the UK – and occasionally internationally – when required.

DURATION: 12 months, full time (circa end of August 2020 to end of August 2021)

STANDARD HOURS: Monday–Friday 0900-1700 although you will be expected to work outside these hours, at weekends and bank holidays as and when production and filming schedules require.

SUBSIDY PAY: £750 per month student internship subsidy

HOLIDAY ENTITLEMENT: 20 days paid leave, plus statutory Bank Holidays

APPLICATION DEADLINE: Sunday 19th July 2020 (11pm)
INTERVIEWS FOR SHORT-LISTED CANDIDATES: Week commencing 24th July 2020 (via Video Call)
PROPOSED START DATE: End of August 2020 (TBC) – *some initial pandemic remote working may be required

 JOB DESCRIPTION

As a Production Assistant and junior member of the Slinky team, you will have a great positive ‘can-do’ attitude and work ethic. You will be self-motivated, extremely organised and committed to your role in the close team. You will assist in a large range of production and business tasks, both in the office and filming on location.

Slinky produces a huge range of productions; from corporate and commercial promos, through to live event and conference videos, TV commercials, training films and animations. You will be comfortable in adapting and contributing to these styles and work well under pressure when required.

Some of the roles you will be involved with across the year include:

PRODUCTION DUTIES

  • Assisting production planning and pre-production: including research, travel logistics, scheduling and call sheet drafting.
  • General assistance of crew, contributors and clients on shoots
  • Driving duties to/from shoot (if driving license available)
  • Shot logging
  • Manning the B-camera when appropriate
  • Assisting with and working alongside the Post-Production and animation department
  • Assisting in Quality Control checks
  • Lots of other production duty opportunities to nurture and grow your skill set – including filming and post production opportunities.

OFFICE / COMPANY DUTIES

  • Answering phones and taking messages
  • Equipment prep and pick-ups
  • Office housekeeping and systems
  • Assisting with general marketing and business development duties
  • Client hospitality and coffee runs

ESSENTIAL SKILLS

    • Confident English writing and typing skills
    • Comfortable with office applications such as Excel and Google Docs
    • Excellent communicator
    • Highly organised

DESIRABLE (BUT NOT ESSENTIAL)

  • Experience with Adobe CC
  • Driving license
  • Likes Back To The Future

APPLYING

Applications for this position will only be accepted from 2nd YEAR Video/TV/Film University Students. You must be about to start your 2nd year of University as this internship must form part of your studies. If you are in any other year of study, have completed your course or have already graduated then unfortunately you aren’t eligible.

All applications must be made through the online application form on their website. When you submit your application, you will automatically be emailed a copy of your application for your own reference. Strictly no phone calls to the production office please. Only short-listed candidates will be contacted.

ABOUT SLINKY PRODUCTIONS

Slinky Productions is a small-but-mighty busy video production company with large ambitions. They produce a wide variety of content working to very high standard with premium client service. Their roster of clients include Jaguar Land Rover, Autodesk, the NHS, L’Oréal, The PGA, West Bromwich Albion FC, Chiquito and Frankie & Benny’s – as well as many other small and huge interesting clients you’ve probably never heard of!

 

Source:

Coronavirus COVID-19 Updated Guidance

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On July 7th, the UK Government announced an exemption to the quarantine requirements for film and high-end TV cast and crew. The exemption relates to those working on productions which qualify as British under one of the Government’s cultural tests or official co-production treaties.

This result is partly testament to the hard work of colleagues in the Screen Sector Task Force, who have campaigned for the change. The British Film Commission have issued further guidance via the Covid-19 section of their website. It is as follows:

British Film Commission – Working Safely During COVID-19 in Film and High-end TV Drama Production

This document is intended to provide high-level guidance to manage COVID-19 specific risk in producing film and high-end TV drama in the UK. It has been prepared in consultation with the Department for Digital, Culture Media and Sport (DCMS) with input from crew and crew representatives, industry bodies, unions and the devolved administrations in Wales, Scotland and Northern Ireland, and in consultation with Public Health England (PHE) and the Health and Safety Executive (HSE).

This guidance should be read in conjunction with the latest UK Government guidance. Productions based in Northern IrelandScotland and Wales should additionally check for the relevant devolved Government guidance as it may differ.

 

  • Download British Film Commission – Working Safely During COVID-19 in Film and High-end TV Drama Production guidance here.

Current version: V.2.0 Published 6th July 2020

For optimised viewing, please open the PDF through Adobe Acrobat Reader or Google Chrome. If you read the PDF using Safari or Apple Preview, links to certain sections of government guidance may not work but Apple Mac users can access an adapted version of the guidance here.

 

  • Download Travelling to the UK for work in Film or High-end Television Drama Production During COVID-19: Self-isolation (“Quarantine”) Exemptions guidance here.

Current version: V.1.0 Published 6th July 2020

For optimised viewing, please open the PDF through Adobe Acrobat Reader or Google Chrome. If you read the PDF using Safari or Apple Preview, links to certain sections of government guidance may not work but Apple Mac users can access an adapted version of the guidance here.

Always make sure you are working from the current version.

 

  • The UK TV industry has produced guidance for managing the risk of COVID-19 in programme making which applies to all TV production and can be found here. In the case of high-end TV drama productions, this guidance should be considered alongside the UK TV industry guidance.

 

  • Guidance for Safe Working in Post-Production and VFX, produced in consultation with, and endorsed by, the British Film Commission Recovery Group, is available here.

 

  • ScreenSkills, are adapting and developing training initiatives to support the film and HETV industries’ recovery efforts.

 

  • Read law firm Wiggin’s Returning to Production Employment and Data Protection FAQs here.

 

  • For additional industry advice and guidance on Coronavirus COVID-19, see BFI info here.

 

Source: Production Guild, British Film Commission

 

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S.O.U.L. (Screening Our Unseen Lives) – Britain’s Black, Asian and Minority Ethnic film talent

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The British Blacklist is working with S.O.U.L., We Are Parable and The New Black Film Collective to present S.O.U.L.Fest.

In the current climate it has proven a challenge to work out how best to deliver a socially-distanced film festival. The answer has been to team up with the BFI and present S.O.U.L.Fest 2020 via the BFI Player. Look out for more information soon about how you can take part in the festival, In the meantime S.O.U.L.Fest 2020 have opened up free submissions. The deadline is this Friday, 3rd July.

About S.O.U.L. 2020

S.O.U.L. (Screening Our Unseen Lives) celebrates and supports Britain’s Black, Asian and Minority Ethnic film talent. S.O.U.L. programmes two types of event each year, our quarterly film industry screening and networking events known as S.O.U.L. Celebrate Connect and our annual public film festival S.O.U.L.Fest. SOUL Fest 2020 is set to be a month long celebration of Black British talent in film, showcasing new features and shorts and allowing audiences the opportunity to see a diverse representation of Black Britain. Due to the Covid-19 global pandemic S.O.U.L. Fest 2020 will take place online primarily on the prestigious BFI Player.

The festival is realised as a collaboration between four organisations who serve Black audiences and talent.

The British Blacklist is the online global home for African Caribbean British creative professionals on the Screen and Stage, in Sound and Literature – both up front and behind the scenes.

The New Black Film Collective is a nationwide network of film exhibitors, educators and programmers of Black representation on screen.

We Are Parable specialise in film exhibition and believe in the storytelling power of events to enhance the experience of a cinema going audience.

S.O.U.L. Film a platform with the mission to make British Film and TV industry more diverse by celebrating and connecting BAME filmmakers and audiences.

The Celebrate:Connect event is a short film screening and networking platform that occurs 4 times a year at the British Film Institute in Southbank, London, UK.

Aiming to address the falling numbers of ethnic minority filmmakers in the UK, the event offers a platform to exhibit their work on the big screen, and a venue for them to meet. We believe the better fellow ethnic filmmakers know each other and each other’s work, the better able we are to support one another.
The events are open to and attended by filmmakers of all levels, industry executives, commissioners, exhibitors, actors, writers and film fans, and is a great opportunity to meet and develop relationships with your film making peers.
Add to this the benefit of being able to screen your work at one of the most prestigious film venues in the UK and you have a superb opportunity for emerging diverse British filmmakers.

Also of interest

We Are Parable are surveying our communities on how we feel about going back to cinemas. Please participate in their very short but vital survey now.

The BFI NETWORK team have organised a live conversation with director Dionne Edwards on July 30th. She will be discussing her career to date and her creative process offering insights into the industry including her stint as 2nd unit director on the recent Top Boy. It’s Tuesday, 30th June. Sign Up is free.

 

Source: The British Blacklist

 

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Channel 4 and 4Talent logo

Want to get into TV? Join the 4Talent session – July 9th

By Training No Comments

Channel 4 and the National Film and Television School (NFTS) have teamed up to run a four-week series of masterclasses and training sessions for independent production companies and freelancers based in the Nations and Regions.

This 4Talent session is aimed at students and young people who are interested in a career in TV production. It will will provide practical tips and advice to get into TV production and hear from those taking their first steps into the industry.

This sessions takes place online July 9th, at 10am BST. Register here.

 

Source: 4Talent

 

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Birmingham and London Indian Film Festival goes digital

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The Bagri Foundation London Indian Film Festival and Birmingham Indian Film Festival are excited to launch their first digital festival at www.LoveLIFFAtHome.com from 25th June to 5th July, as the UK and Europe’s largest showcase of South Asian cinema. It offers the UK’s lockdown audiences a free programme of films and conversations with some of the world’s best loved Indian talent. LIFF’s platform Love LIFF at Home is now online!

 

Starting June 25th, the digital festival will offer UK premieres, our coveted annual Satyajit Ray Short Film Competition, exclusive ‘In Conversation’ and some iconic movies. Everything is free! The films will be available to UK audiences only while the ‘In Conversation’ series will be available world-wide.

See full programme here.

Source: London Indian Film Festival

 

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Cineworld re-opening Birmingham and Solihull cinemas from July 10

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Cineworld is re-opening cinemas across the country – including Broad Street Birmingham and Solihull – from next month.

The cinema chain closed all 128 of its cinemas in the UK back in mid-March amid the unprecedented coronavirus crisis. Now, film fans can look forward to the chain re-opening from July 10. The chain operates cinema complexes in Birmingham, in Broad Street, and Solihull.

Currently, there is no word on when Cineworld’s rivals like Vue and Odeon are set to re-open their doors to customers.

Cineworld has confirmed strict social distancing measures will be in place, with different seating to ensure families sit together, but away from other customers. Staggered film times are expected, in a bid to reduce capacity, with Perspex screens at tills to keep customers and staff members safe while buying popcorn, snacks and such. Social distancing measures will be in place across the country, with Christopher Nolan’s brand-new blockbuster Tenet among the first films set to be released after cinemas re-open. Staff will regularly, thoroughly clean screens extensively, and hand sanitiser is set to be provided throughout. There will be extra time between film screenings to clean communal areas, too. Contactless payments of no more than £45 are also anticipated.

 

Source: www.birminghammail.co.uk

 

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Exterior of a building reading marche du cannes

Cannes Marché du Film Online – June 22nd-26th

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Created to support the international film industry and facilitate business and networking for professionals from all over the world, the Marché du Film Online is intended to recreate the market experience in Cannes, with live and real-time meetings! It will take the shape of a closed industry space including:

 

  • Visit virtual booths and pavilions & discover exclusive films and projects-in-progress in online dedicated spaces as if you were in Cannes!
  • Organize meetings in a virtual space with professionals from all over the world via the Marché du Film networking app Match&Meet, integrating video calls.
  • Attend online screenings – films / project presentations – in about 15 virtual cinemas & enjoy reruns organized in different time zones! The platform will be based on Cinando’s technology with strict security measures.
  • Explore the Marché du Film Online programs & conferences: Cannes Docs, Cannes XR, Producers Network, Frontières, Goes to Cannes, Cannes Next, Meet the Streamers, and Fantastic 7 will be reshaped to this new digital environment.
  • Join curated Speed meetings dedicated to book adaptation, soundtracks, coproduction… Speed meeting sessions will be programmed to welcome participants from different time zones.
  • Discover VR projects with Cannes XR, our program fully dedicated to immersive entertainment, which will present its projects in an environment where films can be viewed with a VR headset.

Register here.

 

Source: www.marchedufilm.com

 

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a still from the film 'Navy' by Duaine Carma Roberts, where a woman tightly hugs a man

Birmingham Filmmaker Duaine Carma Roberts discusses his new project ‘NAVY’

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Birmingham Updates sat down with up and coming Birmingham filmmaker Duaine Carma Roberts, of CarmaFilm Motion Pictures, to discuss his newest project – Navy – and how you can lend your support to help get it made. Read the transcript below:

I am a Black British screenwriter and film director from Birmingham. Since the age of 18, I have self-funded my own short and feature films, showcasing actors from my city and the rest of the UK, focusing on non-stereotypical themes and genres, within my films.

The film I’m currently crowdfunding for is called Navy. It is a coming-of-age drama, that follows a young singer from Birmingham. The supporting actors will also be Midlands and from a few other cities around us. The story follows the young singer on their journey to their first show on their debut UK tour. Whilst preparing, we see how they deal with family, relationships, systematic barriers and much more.

I’m 25 now and for the past 7 years I’ve made various self-funded shorts and last year, a feature film, showcasing a lot of talent from our region. I think it’s very important, as a lot of our talent have to leave the city, in hopes of finding opportunities. I feel as the second city, we should have way more films and TV series being made here, as the talent is endless, as I’ve come to see over my years making films. The short films are available via www.vimeo.com/carmafilmuk and the feature film is called Angel City, which is on Amazon Prime, for free, with Prime.

I managed to save around £3,000 of my own money to make the feature film and although we had a successful premiere and it’s now on Amazon Prime, I know that a few more grand would have helped a lot with promotion, actors and the overall quality of the film. I still will put my own funds towards my new feature film, but I’m hoping to raise at least £10,000 through crowdfunding on GoFundMe, just so I can create the best story possible and allow for a few screenings across the country, once the film is made.

Please consider lending your support by donating here: https://www.gofundme.com/f/navy-feature-film

 

Source: Birmingham Updates

 

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