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March 2021

BAFTA-Nominated Bukky Bakray Stars in BBC/Netflix Drama in Birmingham

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One of the bright lights of this year’s awards season, BAFTA best actress nominee Bukky Bakray of the film “Rocks” will star in forthcoming BBC One and Netflix drama “You Don’t Know Me.”

Produced by Snowed-In Production and co-produced with Netflix, the show has now begun filming in Birmingham. “You Don’t Know Me”, with support from the BBC, is also running a remote high-end TV training program with Film Birmingham for 10 trainees from underrepresented groups.

The four-part drama turns on a young man named Hero (Samuel Adewunmi) who, with overwhelming evidence against him, stands accused of murder. At his trial, Hero tells an extraordinary story about the woman he loves (Kyra, played by Sophie Wilde), and how he risked everything to save her. Hero swears he is innocent, but can we believe him?

Bukky Bakray plays Bless, Hero’s younger sister, who is a guiding force for her older brother and believes fiercely in his innocence.

“You Don’t Know Me” will air on flagship channel BBC One and VOD service iPlayer in the U.K. while Netflix has global rights outside the U.K., Ireland and China.

Crew

The project is an adaptation of Imran Mahmood’s bestselling novel, and is written by “The Crown” and “Judy” writer Tom Edge. It’s directed by Sarmad Masud (“My Pure Land,” “Bulletproof”). Along with Bukky Bakray, the series also stars Roger Jean Nsengiyumva (“Tomb Raider”), Tuwaine Barrett (“The Personal History of David Copperfield”), Yetunde Oduwole (“Carnage”) and Nicholas Khan (“Transformers: The Last Knight”). Series producer is Jules Hussey (“Guilt”), while producer is Rienkje Attoh (“Noughts + Crosses”). Executive producers are Ruth Kenley-Letts, Neil Blair and Jenny Van Der Lande (“Mrs Wilson”) and Kate Crowe (“Taboo”). Lucy Richer (“Small Axe”) is executive producing for the BBC.

Snowed-In Productions previously produced Ruth Wilson starrer “Mrs Wilson” for BBC One and ITV mini-series “Too Close,” starring Emily Watson and Denise Gough.

 

Source: variety.com

 

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What are the New BBC Projects coming to the West Midlands?

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The BBC will shift its creative and journalistic centre away from London over the next six years, in a move bosses say will see the BBC better reflect and represent the whole country. This as the broadcaster signed a landmark deal with the West Midlands Combined Authority (WMCA), pledging to significantly increase investment and its presence across the region.

Projects in the West Midlands

    • The “Across the UK” blueprint will see at least one new primetime drama and one new primetime entertainment series set in the West Midlands. Other top shows are also to be produced in the region.
    • A new peak time radio service and a learning hub will launch in Wolverhampton.
    • An apprentice training agency will be piloted in the region.
    • As part of plans for a “strong youth focus”, Asian Network will be run from Birmingham. Plus, Newsbeat will move to the city. These will provide content for Radio 1, Radio 1Xtra and Asian Network.
    • The BBC news data team will partly relocate to Birmingham, while a newly recruited network of digital reporters will focus on local stories.
    • And BBC Three will launch a new documentary for producers to tell original stories from the Midlands.

Top shows set in the region in recent years include Peaky Blinders, Citizen Khan and Man Like Mobeen. Boon and Crossroads were also filmed in the region.

Tim Davie, director-general of the BBC, said: “Our mission must be to deliver for the whole country and ensure every household gets value from us. These plans show how we want to be closer to audiences, create jobs and investment and develop and nurture talent.

“The BBC has been an essential part of the UK’s culture, democracy and creativity for almost a century and has helped inform, educate and entertain all four Nations. Over the last year we have collectively faced some of our toughest moments in recent history. Now, as we look to the future, we must play our part in supporting the UK’s social and economic recovery; rebuilding the creative sector and telling the stories that need to be heard from all corners of the country.”

West Midlands Mayor Andy Street, said: “Today is a landmark day for the BBC and the West Midlands. For too long our region has been under-represented within the corporation. However, working with the new Director General Tim Davie, we are now beginning to put past problems right.

 

Source: www.expressandstar.com

 

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Major Plans by the BBC Bring More Media Jobs to the West Midlands

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The BBC has confirmed it will relocate high profile national journalism jobs from London to the regions, including to the Midlands, the North West and Yorkshire.

Specialist journalism teams covering topics such as the environment, technology, and education will be relocated from London to new bases in Leeds, Birmingham, Cardiff and Glasgow. In total, 400 jobs will move out of London. Proposals are set out in the BBC’s blueprint for the future entitled The BBC Across the UK. The BBC says they “represent top-to-bottom change and will cement our commitment to better reflect, represent, and serve all parts of the country”.

See what specific projects are coming to the West Midlands here.

Plans set out in detail in the Across the UK blueprint

  • Major parts of BBC News to shift across the UK – Significant parts of BBC News will be moved to centres across the UK, ensuring it covers the stories that matter most to audiences and more effectively represents different voices and perspectives. Half of UK-focused story teams will be based around the country
  • A truly UK-wide BBC – Newsbeat and Asian Network will be based in Birmingham; Salford will become the main base for the digital and technology teams supported by digital teams in Glasgow, Cardiff and London; there will be an expansion of BBC Studios bases in Bristol, Cardiff and Glasgow; an upgraded Belfast HQ; in radio, ; while Radio 3 and 6 Music will be rooted in Salford.
  • A doubling of the BBC’s commitment to apprentices – 1,000 apprentices will be supported in any year across the UK and the BBC will pilot an Apprentice Training Agency in the West Midlands.
  • A big investment in BBC local reporting – A network of digital community journalists will enhance regional news provision; there will be a tailored BBC One across Yorkshire, North West and North East England; up to six new peak-time BBC local radio services will be introduced – including in Wolverhampton, Bradford and Sunderland; and new BBC local on-demand bulletins for over 50 areas on BBC Sounds.
  • By 2027/28 the BBC says it will be spending at the very least, an extra £700m cumulatively across the UK – generating an additional economic benefit of over £850m. It says this will not only dramatically increase opportunities for jobs and training, but improve representation on and off screen.

Tim Davie, BBC Director-General, said: “Our mission must be to deliver for the whole of the UK and ensure every household gets value from the BBC. These plans will get us closer to audiences, create jobs and investment, and develop and nurture new talent.

“Over the last year, the BBC – which has been an essential part of the UK’s culture, democracy and creativity for almost a century – has helped inform, educate and entertain all four Nations, as we have collectively faced some of our toughest moments in recent history. Now, as we look to the future, we must play our part in supporting social and economic recovery; rebuilding the creative sector and telling the stories that need to be heard from all corners of the UK.”

Further plans

  • A transformation in the way the BBC commissions TV programmes – For the first time, a clear majority of our UK-wide TV will be made across the UK, not in London: at least 60% of network TV commissions by spend.
  • A transformation in the commissioning and production of network radio and online audio – 50% of network radio and music spend will be outside London by 2027/28.
  • Strengthening the creative economy right across the UK – The BBC will renew creative partnerships with Northern Ireland Screen and Creative Scotland, create a new one with Creative Wales, and focus on partnerships in the North and Midlands in England.
  • In addition, news and current affairs programmes like BBC Two’s Newsnight will be presented from different UK bases through the year and Radio 4’s Today programme will be co-presented from outside London for at least 100 episodes a year. The BBC One daytime show Morning Live will be broadcast year-round from Salford.
  • Funds will be invested in two new long-running network drama series over the next three years – one from the North of England and one from one of the Nations; over the same period, more than 100 new and returning drama and comedy titles will reflect the lives and communities of audiences outside London, including at least 20 that will portray Scotland, Wales or Northern Ireland.
  • In radio, key daytime programmes on each of Radio 1, 1Xtra and Radio 2 will be made across the UK and each network radio controller will have at least one commissioner based in one of the BBC’s hubs around the UK by 2027.

The changes are expected to take place over six years from 2022. The aim of this strategy appears to mirror that of Channel 4’s relocation two years ago, with The Guardian reporting it aligns with the Government’s levelling-up agenda and will see the broadcaster cover underserved communities.

 

Source: www.thebusinessdesk.com

 

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British Council Filmmaker Travel Grant Fund Has Re-opened

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Travel Grant Funding for online VR platforms and accessibility

As the landscape for international festivals and showcase events has shifted as a result of the pandemic, many events are now operating as either online or hybrid events. While new online VR viewing platforms are enabling you to access international audiences (which is great!), they also often come with additional expenses for makers needing to adapt to different platforms.

Good news is that British Council Travel Grant funds are able to support your work to travel even while you can’t. You can now make an application for support towards:

  • Preparing your instructions for the exhibition of your piece
  • Integrating your work with a festival’s online platform
  • Developing the accessibility of your piece and producing accessibility assets
  • Versioning and development
  • And more

If you would like to discuss costs to exhibit your work internationally or if you have any questions please contact Francesca.carr@britishcouncil.org

 

Funding to attend international film festivals and events

Short filmmakers, as well as makers producing virtual reality / immersive storytelling experiences and installations, can apply for travel grants to attend international film festivals and events where their work is being screened.

These grants help you present your work abroad, develop new networks, reach new audiences and increase the exposure of new UK film and film talent internationally.

  • Grants range from £100 to a maximum of £1,500.
  • Grants offer a contribution towards travel and accommodation costs, but may not always cover the full cost of attendance.
  • Applicants screening in European festivals can expect a smaller grant than those screening in festivals which require a long haul journey.
  • All grants are based on a UK starting destination.

Travel Grant Eligibility

  • Applications can be made by a project’s director, producer or writer, who must be aged 18 or above.
  • All applicants must have had their short film / project selected by at least one of the festivals on the British Council’s Key Festivals List, and must provide evidence of festival selection. Short Film / VR Travel Grant Key Festival List (PDF 160KB)
  • The film or project must be a UK production / co-production.
  • The film or project must be no more than 60 minutes long.
  • Each film or project can receive a maximum of three grants.
  • Each film or project can receive a maximum of one grant per festival.

Access and support

If you have specific access needs please contact the British Council about what additional help may be available to Short Film Festival Travel Grant recipients – for example additional funds to facilitate travel with a BSL interpreter or access worker.

How to apply

Before you begin, download and read the Short Film Festival Travel guidelines.

If you’re eligible to apply, it shouldn’t take longer than ten minutes to complete your application. You will need:

  • a copy of your festival acceptance letter or email
  • an online link to your film, and password if applicable.

If you have been invited to attend a key festival in person please make an application or email francesca.carr@britishcouncil.org. British Council are in regular communication with a range of Festival partners over their plans to stage events, virtually or in real life. Have a look at this regularly updated document here to see who is doing what. 

The Short Film Festival Travel Grant is a partnership between the BFI NETWORK and the British Council.

 

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Full Fat Television Seeks Development AP – Deadline March 19th

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Full Fat Television is seeking a talented, tenacious and ambitious Development AP to join our expanding development team working across their factual entertainment slate. The company produces innovative and popular factual content for British and international broadcasters, platforms and distributors.

About the Role

They are looking for someone passionate who has a solid track record in development and who is brimming with ideas.  Reporting to the Director of Development, the successful candidate will be responsible for generating and pitching new ideas; writing proposals; designing premium decks and cutting sizzles for a range of broadcasters and genres.

You should have a strong grasp of the TV/digital landscape and an in-depth understanding of commissioner needs.

Skillset and Responsibilities:

  • You must be able to originate entertaining ideas that feel relevant, now and must-have.
  • You must be a strong researcher and fast writer with the ability to format and structure shows as well as execute entertaining proposals.
  • You must have solid experience designing premium looking decks using Indesign/Powerpoint/Photoshop.
  • Experience of cutting sizzles is desirable.
  • You’ll have a strong eye for talent.
  • You’ll have experience of casting experts and contributors for sizzle reels.
  • You must be a strong multi-tasker and work well under pressure.

 

To Apply

 If this sounds like you we would love to hear from you. Please send a CV and covering letter with the role you are applying for in the subject line to production@fullfattv.co.uk

CLOSING DATE 19th March

Immediate Start. Six months contract.

Full Fat Television is committed to sharing job opportunities with creative, diverse talent working in the industry.

The roles are Birmingham based; however, due to current Government restrictions, we anticipate the successful applicant will work remotely.

If you are happy for us to keep your CV on file, please add the following disclaimer to the top of your CV ‘I consent to you keeping my details on file and distributing for employment purposes.’

Due to the expected high volume of applicants, please note that we will only be able to contact candidates who are selected for interview.

Full Fat Television Seeks Development Producer

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Full Fat Television is looking for an experienced and talented Development Producer to join their expanding development team working across our factual entertainment slate. The company produces innovative and popular factual content for British and international broadcasters, platforms and distributors.

The successful applicant will be a prolific ideas generator with a proven track record of commissioned ideas.

You’ll have an encyclopaedic knowledge of the TV/digital landscape and an in-depth understanding of commissioner needs.

Reporting to the Director of Development, the successful candidate will be highly versatile with an expansive skillset:

  • You must be able to originate entertaining ideas that feel relevant, now and must-have.
  • You must be a fast writer with the ability to format and structure shows as well as execute entertaining proposals.
  • You must have solid experience designing premium looking decks using Indesign/Powerpoint/Photoshop.
  • Experience of cutting sizzles is desirable.
  • You’ll have a strong eye for talent and experience working with agents.
  • You’ll have experience of casting experts and contributors for sizzle reels.
  • You must be a strong multi-tasker and work well under pressure.

If you have solid experience in all of the above and think this sounds like you we would love to hear from you and we particularly welcome applications from underrepresented groups. Full Fat is a Birmingham based company; however, due to current Government restrictions, we anticipate the successful applicant will work remotely, therefore we can consider applications from across the UK.

To Apply

Please send a CV and covering letter to production@fullfattv.co.uk

Six months contract.

Full Fat Television is committed to sharing job opportunities with creative, diverse talent working in the industry.

If you are happy for us to keep your CV on file, please add the following disclaimer to the top of your CV ‘I consent to you keeping my details on file and distributing for employment purposes.’

Due to the expected high volume of applicants, please note that we will only be able to contact candidates who are selected for interview.

 

 

BFI Film Audience Network seeks a Midlands film marketer

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BFI Film Audience Network (FAN) are looking for a Midlands-based marketing freelancer to support the release of two new feature films in May-June including the upcoming Sound of Metal (18 May) as part of FAN New Release Support, a UK wide project led by Watershed in Bristol.

This is an opportunity for you to connect with other freelance practitioners from across the UK, work closely with venues and get insights about the opportunities the BFI Film Audience Network has on offer. The BFI Film Audience Network (FAN)  is a collaboration of eight Film Hubs (Film Hub Midlands is one of them) with a membership of over 1,300 cinemas, film festivals and other film exhibitors across the UK.

Applicants should be passionate about film, into arts, culture and entertainment, experienced in marketing and or arts/event promotion preferably in the Midlands, organised, pro-active, a self-starter, and good at networking and building relationships.

Read more about the role here.

 

Source: dialfforfreelancer.com

Felix Dexter Bursary Open for Black, Asian and Minority Ethnic Writers

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The BBC are now accepting applications for this year’s Felix Dexter Bursary. The Bursary, now in its fourth year, aims to develop talented comedy writers who are Black, Asian and other ethnic minority writers or writing duos aged 18 or over. The opportunity, offered by BBC Comedy in partnership with the BBC Comedy Association (BCA), is designed to find writers with a fresh, unique point of view and the potential to help shape the future of comedy, whether within the BBC or elsewhere in the industry. It aims to make a positive intervention to address an under-representation of Black, Asian and other ethnic minority professionals in comedy production across all broadcasting.

Unlike most bursaries that culminate in a one-off prize, this bursary gives trainee writers the chance to focus on comedy, writing full time over six months, while immersed in comedy production. They hone their skills while gaining experience on a range of BBC comedies across radio, TV and online, on panel shows, shorts, sitcoms or comedy entertainment shows – building the confidence needed to take the next step in their career.

To apply for the Felix Dexter bursary, applicants will need to send:

  • A sample comedy/sitcom script that is a minimum of 15 minutes and a maximum of 30 minutes in length
  • Answers to the application questions as outlined in the full terms and conditions
  • A writing CV with a short profile biography

The deadline for applications is 19 March 2021.

Find full application details on the BBC’s Commissioning website

Read more on the BBC’s Media Centre website

International Women’s Day 2021: Listen, Learn and Join

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Happy International Women’s Day! Do you want to support women who work in the UK Film and TV industry? Here is a list of useful links for this International Women’s Day and beyond:

 

Listen

  • Girls on Film is a film review podcast from a female perspective, hosted by critic and broadcaster Anna Smith. She has just started a 365 day campaign with daily recommendations of female-directed movies. Find out more here.
  • This Universi-tea podcast from the University of Southampton features Dr Shelley Cobb who campaigns for equality in the film industry. Listen to Shelley on ‘The Feminist Film Fanatic‘  here.

Learn

  • The Conversation, while examining television drama, points out that there has been an unfortunate decrease in the contributions from women in senior roles. Read the full article here which features Channel 4 commissioning editor Fozia Khan speaking about hiring biases she faced.
  • A report on gender imbalance across theatre, film and TV industries have revealed ‘disgraceful’ gender inequality in the arts. The Women in Theatre Forum Report UK‘s findings range from the unfair burden of care falling on female workers to the lack of female presence in film, where only 16% of working film-makers are female, and 14% of prime-time TV is written by women. Read more here.
  • Shades of Noir‘s article point out that while women are underrepresented in key creative and decision making roles, such as screenwriting, directing and technical roles across the film and television workforce, black women and women from minority ethnicities are even less represented. You can hear their take here.
  • Read this impassioned Huffington Post article from Tiffany Kozio on why the UK Needs more Black Female Film Directors. In it, she cites research from Directors UK concluding that gender inequality in the UK is due to unconscious bias in the industry and that large scale, industry wide intervention is required to tackle this issue. Read it here.

Join

  • Women in Film and TV is the leading membership organisation for women working in creative media in the UK. They host a variety of events throughout the year, present a prestigious annual awards ceremony, run a mid-career mentoring programme for women, run bursary initiatives, collaborate on research projects and lobby for women’s interests. Find out more about them and join here.
  • Birds Eye View is a women-led organisation which champions women-led films through their movement “Reclaim The Frame”. They regularly host screenings throughout the UK and virtually. Join them here.

 

Birmingham Millennial Noir Filmmakers Premiere ‘Demon’

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DEMON, a Birmingham film being described as a “millennial noir film” is set to hit the film festival circuit this month.

Filmed in the Midlands and London, it is directed by George Bartlett and stars Ryan Walker-Edwards, both from Birmingham. The two self-produced a neo-noir psychological drama with a DIY approach, which you can read more about here. DEMON is set to premiere in competition this year at Cinequest Virtual Festival (titled “Cinejoy” and occurring March 1-14) and the live Cinequest Film Festival (August 16-30 in Silicon Valley).

The story follows Black British Brummie Ralph, an office worker from Birmingham. Retracing the protagonist’s attempt to avoid a debt collector by fleeing London to a mysterious motel on the outskirts of a forest, the film dives into the collective anxieties of the Generation Z-Millenial gap. It presents the public with a nightmarish, tensed atmosphere and numerous plot twists. Featuring heavy weight British Talent: Gary Beadle (Summer of Rockets), Jemma Redgrave (Love and Friendship), Rachel Jackson (Beats), David Schaal (Down Terrace) Jacob Hawley (BBC Radio: On Drugs). Watch the trailer here.

You can watch the film at the Cinequest Virtual Festival here.

 

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