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The Talent Manager’s Coronavirus FAQ’s for Freelancers

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Read below the Talent Manager’s Guide for Freelancers in the industry:

updated 17/03/2020

 

Freelancing in TV has always been a difficult and precarious career option – and it takes resilience to make it work. Everyone has gone through ‘quiet’ periods. But none of us have experienced anything like chaos caused by the coronavirus.  

Barely an hour passes without news of another production, festival, premiere or trade show that has been cancelled or postponed. From Match of the Day to MIP TV in CannesLine of Duty to the new James Bond, Studio Lambert’s Celebrity Race across the World to Coronation Street Today, the BBC announced it was pausing all its continuing dramas

TV and film are essentially social activitiesthey involve going out in the world and interacting with people be they participants, interviewees, audiences, cast or crew. The self-isolating and social distancing required to dampen the spread of the virus is existentially at odds with the process of production. 

It’s not just the all-consuming breadth of the crisis but also the speed at which it’s happened: no one – commissioners, production companies, or freelancers – had time to prepare. Although the soaps generally have a few months’ worth of programmes in the can ahead of transmission, for everyone else contingency plans are being put together on the hoof.  

And this comes after what for many has already been a challenging six months – a combination of the traditional slow-down in production over the winter months, and the EU-election uncertainty.  

If there is a sliver of hope, current estimates are that the crisis will peak in 10-14 weeks, so the worst is likely to be over by mid-summer.  

But in the meantime, a lot of people are facing some very difficult times.  

With all the other upheavals and disruption, it can be overwhelming trying to figure out what one’s rights are, and what support you can get.  

So, we’ve put together a simple guide to answer at least some of the questions that many freelancers are asking.   

It’s not exhaustive, and the situation is evolving very rapidly, so please do feedback with amendments and updates. In the meantime, we hope this is a useful starting point for freelancers who suddenly find work being cancelled, opportunities vanishing, bills to pay and potential anxieties about their health – both physical and mental.

The production I’m working on has just been cancelled/postponed? Am I entitled to notice period?

First thing: read your contract.  

Most production contracts stipulate just 1 week’s notice.  

However, according to Bectu, some companies are citing force majeure – meaning they wouldn’t have to pay even that. In such situations, it’s worth calling Bectu or the NUJ to see what your rights are.  

Of course, for freelancers there’s always the dilemma of whether to stand up for what’s right, or you may be entitled to, and risk not getting hired by that company again.  

If you are registered as a Limited company, and selling your services to the production through that, rather than a PAYE contractoragain, you need to refer to your contract  

One freelance PD who contacted the TM with his experiences was somewhat typical:  

He works via his own Limited company. A week ago he was told that a production he was due to start on had been suspended for at least 2 months and, yesterday, that another event – due to start on Monday for 11 days work had also been postponed. ‘’I asked them what their cancellation policy is, which they didn’t have an answer for. That’s the best part of £4,000 of earnings just taken away.’’ 

Although he had received a ‘deal memo’ and PO number from the company, confirming the job, the days booked, the rate and how to invoice them, it makes no mention of a cancellation policy. 

“Part of me is reluctant to go too hard [in arguing for a cancellation payment]. I’ve worked for them for a number of years but had to push hard recently for a rate increase to reflect the fact I was working at a more senior level. But is this the time to play hardball and potentially damage the relationship?’’  

Anecdotally, it seems freelancers working in High-End TV drama and film are being put on ‘half-pay’ deals – for up to 4 weeks – rather than simply terminated. This is likely to be the longer running nature of many scripted production contracts, and the complexities of them gearing back up for filming again when the hiatus does end. Post production also appears relatively – and we use that word very reservedly – ok. Despite having some jobs cancelled or postponed, most Post houses have switched quickly to enable their people to work from home. In the short term, they seem able to cope albeit with anxiety over the longer term pipeline of work. 

Factual, docs and light entertainment seem to be the most adversely affected with rafts of productions being paused or cancelled, and freelancers are given little or no notice. 

One suggestion is try speaking to the production company and see if they have any other work you can take on that doesn’t require being out and about, or even in an office with other people. Several companies are bringing their PDs back from location and giving them work edit producing, in development or doing research although, of course, that has a knock on for others who might have been hired. The Talent Manager is encouraging companies to offer an opportunities they have as Job Shares – using its new Job Sharing functionality – so that as many people as possible have some form of work, and income.

 

What are the broadcasters doing? 

 

Of course, many production companies, especially the smaller ones, are in a similarly dire bind – with overheads and salaries to pay, and their income source suddenly on gone 

Both the BBC and ITV say that they are treating each production on a ‘’case by case’’ basis. That is, the productions are negotiating directly with commissioners and business affairs over any financial support they can access, as well as changes to their schedules and contractual delivery requirements.  

PACT is encouraging its members to contact them to share experiences and issues, so it can try and coordinate a response but admits that the broadcasters are unlikely to provide blanket on-going support for suspended productions 

Behind the scenes, Bectu is trying to coordinate discussions with major industry employers – as well as asking for the government to step in with additional support.

 

.. and Government? 

 

Bectu and PACT have issued calls for the government to step in and provide support. Mike Clancy, general secretary of Prospect – of which Bectu is a part – has written to the Chancellor, Rishi Sunak, asking for more to be done to “recognise and alleviate the situation of freelance and self-employed workers.’’  

Being a freelancer in the current situation can feel very lonely. So if there is a source of solace, it’s that you’re not alone: there are an estimated 5m self-employed people working in the UK – 15% of the total workforce – so the situation extends beyond the creative industries, and hopefully cannot be ignored completely by the government. Although yesterday’s unprecedented £330bn intervention did not include any direct help for the self-employed, experts believe some support will be provided. 

Tracy Brabin MP is creating a dossier to help the government understand the plight of self-employment; you can email concerns directly to herTracy.brabin.mp@parliament.uk

 

Can I claim sick pay? 

 

If you’ve been confirmed as having Covid-19 or have taken the decision to self-isolate based on the government guidance, then you will be able to claim Statutory Sick Pay from the first day you are off sick or unable to work. (You used to have to wait till day 4 before SSP kicked in, but this was changed – temporarily at least – in the recent budget.)   

If you’re an employee – that is, staff or on a short-term PAYE contract – you are eligible for SSPYou need to have done work for that employee – ie your contract needs to have started; you’ll need to have been earning at least £118 a week; and you’ll need to notify your employee that you’re sick.  

The minimum rate for SSP is £94.25 a week, for up to 28 weeks. Usually, you would be paid for this by your company and they would then claim it back from the government. (Some companies will pay you your standard rate and reclaim this lower amount – but you need to check your contract.) 

 

But … I’m not an employee. What then?  

 

Of course, many people in TV and film are not paid PAYE 

If you’re a Sole Trader – and sick or self-isolating – you need to apply for benefits, specifically the Employment and Support Allowance, which is the equivalent of sick pay for the self-employed. As one of their special ‘corona-tackling’ measures, the government has said they will fast-track payments so recipients will not have to wait the usual 5 days to receive this.  

If you’re a Limited Companyand that’s how you sell your services and invoice your clients, then it’s your company that should be looking after you. Your clients have no responsibilities for youIn theory, your company can still pay you Statutory Sick Pay (£94.25/ week for 28 weeks) and then claim it back from the government. 

 

I’m not sick or self-isolating but my work has completed dried up

 

If you are not an employee, you may instead be eligible for Universal Credit or Job Seekers allowance.  

The government has released a special guide for those who might need to claim UC as a result of the pandemic. You can read it here – https://www.understandinguniversalcredit.gov.uk/coronavirus/ 

Universal Credit is far from a straightforward system – as most people will be aware – and the unions among others have argued it’s not fit for purpose, especially in the current crisis. “UC is a system which time and time again has been proven to be unable to cope with any form of change in demand,’’ said Mike Clancy of Prospect. “Asking freelance workers to rely on UC or indeed ESA is simply inadequate.’’   

However, the government has, temporarily, removed some of the loopholes, such as the Minimum Income Floor, which should make it slightly easier for those who need to claim now 

Other useful links 

Citizens Advice Bureau

The Association of Independent Professionals and the Self-Employed (IPSE)

HMRC has put out guidance for companies affected by C-19 

Money Saving Expert – Martin Lewis

 

What about Income Protection Insurance?
 

Income protection insurance (sometimes known as permanent health insurance) is a long-term insurance policy designed to help you if you can’t work because you’re ill or injured. It gives you a regular income until you retire or are able to return to work.  

But, like Critical Health cover (which offers a one-off, lump sum payment), it only kicks in if you’re taken ill, and if the illness is one on a specified list. Clearly, its unlikely many policies will now include cover for corona-virus. Moreover, given that corona-virus – for the majority of people – is debilitating for only a short period of time, these policies are unlikely to provide much help. 

 

Is there any other help available? 

 

If you’re struggling – emotionally or financially- the Film and TV Charity may be able to help.  

They have a 24-hour helpline – 0800 054 0000 

If you’re facing financial hardship you should read the guidance provided on their website and look at all of your options, including the emergency measures put in place by some banks and HMRC, before getting in touch. If, having considered all of your options, you’re facing an urgent and immediate need for financial assistance, the charity may be able to offer one-off grants. You can complete the financial support form immediately. You don’t need to call their Support Line.

With the situation changing rapidly, it’s important to look after your mental health. All the talk of Covid-19 can make us feel even more anxious. You’re not alone. A lot of people will be feeling this way right now. You can ask for help. The charity can provide a listening ear and can also quickly refer you to trained counsellors who can provide more structured support over the phone. It’s important to stay connected with friends and family as well.

If you’re looking for legal advice, emotional, or any other kind of support you’re encouraged to use the Live Chat function on their website rather than calling, where you will reach a friendly advisor who can talk to you about your options.

When there’s a crisis, it’s good to remember that people often come together to support each other and help others out. Doing things in your community can help you to feel like you’re making a difference. As the charity supporting the UK industry in times of crisis and opportunity, The Film and TV Charity is entirely reliant on donations and welcome individual and corporate donations from those who can afford to contribute. Please note that they’re currently unable to provide voluntary opportunities. Donate today or email their Head of Fundraising Tom.Woodward@filmtvcharity.org.uk.

My bills are mounting up and I’ve got no means to pay my mortgage?

 

The fact that banks are offering to ‘payment holidays’ on mortgages of 2 to 3 months has been widely publicised. However in practice, the experience seems mixed: some freelancers have said it has been very straight forward to secure these ‘mortgage payment breathers’, others that the banks have been less amenable, and requiring proof that you have no means to pay before agreeing.  

The best thing is simply to contact your bank and discuss it.  

However, be alert: experts have warned that there’s a chance that taking a mortgage repayment holiday could also affect your credit file. They recommend keeping note of any conversations and retain all correspondence in case the lender accidentally marks your holiday as arrears. That way you should avoid any issues when you come to remortgage. 

Find out more here.   

https://www.homesandproperty.co.uk/mortgages/coronavirus-mortgage-holiday-uk-a137241.html?amp&fbclid=IwAR2W4tvS_mC-JB8mXNzj1dZ27vDsDDkPcJnD5NY83evd8xk9Egkw1vvlNV4

 

What about my Council Tax and other outgoings? 

 

The best thing is usually to phone up and be straightforward. Most companies appreciate people telling them if they are struggling to pay bills – rather than having to chase and chase and find out the hard way – and will respond constructively, with advice about reducing consumption (if applicable) or arranging a payment plan.  

For example, a number of councils are reportedly agreeing to short term payment holidays for council tax payments. 

Everyone recognises we these are unprecedented circumstances and are likely to be relatively short term, and that the best – and only – way for all of us to get through it is to work constructively, together. 

 

Do let us know your experiences – so we can update this blog

 

And in the meantime, stay healthy, stay sensible, try not to despair, and let’s all do whatever we can to look after each other. 

 

Source: www.thetalentmanager.com

 

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Latest Covid-19 updates and guidance for exhibitors and venues

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Published 17/03/2020

The Bigger Picture has published a summary of guidance for film exhibitors and venues in the wake of the coronavirus outbreak. Read it below:

 

The UK Cinema Association has issued the following statement on the current situation with regard to the outbreak of Coronavirus/COVID-19:

‘Mindful of the latest scientific advice from the Government, the coming days will see the closure of most UK cinema sites.

The priority now is to ensure that the thousands who work in the sector, many of them young people, are helped during what will be an exceptionally challenging period for them, and that cinema venues across the country are supported to overcome what for many will represent an unprecedented challenge to their existence.’

The Association’s priority at the moment is ensuring that the support above is put in place. It will be making no further statement at this time.

Here are some resources that venues and exhibitors might find useful in this ever-changing situation:

18th March 2020

17th March 2020

 

Source: www.the-bigger-picture.com

 

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Film Hub Midlands’ Coronavirus message

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A message from Film Hub Midlands:

We will continue in any way we can to support the people and communities across our cinemas, festivals, filmmakers, producers, film clubs, and all film events throughout the Midlands.

We’re now going to be working from home, so please don’t ring the office. Let us know if you want to book in a call with any member of the team, you can always reach us at hello@filmhubmidlands.org

We urge people across the industry and cultural sector to contact the BFI with key concerns, to feed into their impact response recommendations. The centralised email for all enquiries is covid-19.queries@bfi.org.uk – you can read more on the BFI website.

The Bigger Picture have published a list of useful resources for exhibitors as well.

Be well, keep safe, and stay in touch.

The Film Hub Midlands team. 
Eleanor, Ian, Amy, Alexzandra, Carrie, Annabel, Lucie, and Andy. 

18/03/2020

 

Source: Film Hub Midlands

 

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BAFTA TV Awards

Bafta TV awards postponed due to coronavirus

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The annual TV Bafta awards have been postponed because of coronavirus. Organisers have said that the ceremony, due to take place on 17 May with nominations announced on 26 April, will now be halted until later in the year, with dates to be confirmed.

In a statement, Bafta added that: “We are continually monitoring the situation ​to ensure we are prepared for the challenges we may face in the coming weeks and months. We are closely following the advice of the World Health Organisation, NHS and GOV UK/Public Health England, and the safety of our members, guests and staff remains our top priority.”

The postponement comes after a range of cultural events and projects have been pushed back, from Bond film No Time tTo Die to tours by musicians including Stormzy and Billie Eilish. TV cancellations have so far been largely limited to production delays rather than events, with the Baftas marking the first major public-facing cancellation. TV shows that have halted production in Britain include Netflix’s The Witcher, and the BBC series Line of Duty and Peaky Blinders.

A number of shows usually recorded in front of audiences in the UK and the US – including the Ellen Degeneres Show and Have I Got News For You – have continued filming without audiences.

Last year’s Bafta TV awards saw wins for series including Killing Eve, Succession and Bodyguard.

 

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Source: www.theguardian.com

BFI issues coronavirus message to industry

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BFI chief executive Ben Roberts has issued a statement on the novel coronavirus outbreak amid a wave of production and festival postponements and theatre closures around the globe.

Concerns over the spread of the virus saw the UK box office take a heavy hit over the weekend as the top releases fell by at least 50% against the previous weekend.

Roberts said the BFI’s screen sector taskforce would liaise with the UK government during the crisis, and pledged the BFI’s support to ”our many industry colleagues during this fast moving and rapidly evolving situation”.

The statement read: “Covid-19 presents us with an unprecedented challenge to our business. We are keenly aware that the wide ranging and damaging impact of the virus is being felt across the entire industry and at every possible level.

“As the lead organisation for film, we will support our many industry colleagues during this fast moving and rapidly evolving situation, and we are in discussion with key partners, stakeholders and Government to urgently assess the scale of the short and longer term impact on business. We are focused on ensuring the resilience of the industry and on tackling the huge range of short to mid-term financial, cultural and societal challenges – not least to the exhibition and freelance sectors who are likely to be hit hardest most immediately by the crisis.

“The BFI is in constant communication with colleagues in Government and with other funders across the sector, to ensure we all fully understand the ramifications of the most critical issues, and help shape measures to address them. We have an already established Screen Sector Taskforce which will be convening to coordinate our conversation with Government and discuss the potential mitigations. We also urge practitioners across the industry and cultural sector to contact us with their key concerns and have set up an email address as a centralised point for all enquires covid-19.queries@bfi.org.uk to feed into our impact response recommendations.

“As a funder, we will be as supportive and flexible as possible across existing funding arrangements, including the ability of those organisations and projects to meet contractual requirements. As a production financier, we are obviously supporting our filmmakers with advice on a case by case basis. They are all different projects, each case is different and complex with completely different variables, so there isn’t one size fits all guidance, and we are advising them through these very particular challenges as best we can.

“The BFI is working hard to support everyone across the sector during this extremely challenging time and we will update you with more news and information when we can.”

Source: www.screendaily.com

 

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RTS Programme Awards 2020 – Full Nominee List – March 17th

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Update: The RTS Programme Awards 2020, in partnership with Audio Network, will be live streamed at 7pm on 17th March.

Watch the RTS Programme Awards 2020 here from 7pm on 17th March.

 

Nominations in 27 categories were announced for the RTS Programme Awards 2020. Stephen Graham is nominated in the Best Actor category for his role in Channel 4 drama The Virtues. Niamh Algar, who starred alongside Graham, is nominated for Best Actress.

In the daytime programme category, BBC One’s The Repair Shop, will be looking to pick up the gong again. It faces competition from ITV’s Good Morning Britain and Channel 4’s Beat The Chef. There’s another chance for Ant and Dec to pick up an award as Britain’s Got Talent is nominated for Best Entertainment Programme. ITV  2’s Love Island and BBC Three’s Ru Paul’s Drag Race UK are also nominated in the category.

In the Soap and Continuing Drama category all eyes will be on whether EastEnders can come out on top as it recently celebrated its 35th birthday. It’s up against rival Coronation Street and medical series Casualty. The most prestigious award, RTS Channel of the Year, will go to either BBC Three, Channel 5 or Sky Atlantic.

Broadcaster and comedian Paul Merton will host this year’s awards ceremony which takes place at the Grosvenor Hotel, London on Tuesday 17th March 2020.

The full list of nominations are below.

 

Actor (Female)

Niamh Algar – The Virtues (Warp Films and Arty Productions for Channel 4)

Suranne Jones – Gentleman Jack (A Lookout Point Production in association with HBO for BBC One)

Tamara Lawrance – The Long Song (Heyday Television and NBCUniversal International Studios for BBC One)

 

Actor (Male)

Jared Harris – Chernobyl (Sister, The Mighty Mint and Word Games in association with HBO for Sky Atlantic)

Micheal Ward – Top Boy (Cowboy Films, Easter Partisan Films, Dream Crew and SpringHill Entertainment for Netflix)

 

Arts

Bros: After The Screaming Stops (Fulwell 73 for BBC Four)

imagine…James Graham: In the Room Where It Happens (BBC Studios for BBC One)

Superkids: Breaking Away From Care (Expectation for Channel 4)

 

Breakthrough Award

Aisling Bea – This Way Up (Merman Television for Channel 4)

Tanya Moodie – Motherland (Merman Television and Delightful Industries for BBC Two)

Tim Renkow – Jerk (Roughcut TV and Primal Media for BBC Three)

 

Children’s Programme

The Athena (Bryncoed Productions for Sky Kids)

Step Up to the Plate (Lion TV for CBBC)

Zog (Magic Light Pictures for BBC One)

 

Comedy Performance (Female)

Diane Morgan – Motherland (Merman Television and Delightful Industries for BBC Two)

Phoebe Waller-Bridge – Fleabag (Two Brothers Pictures in association with All3Media International for BBC Three and Amazon Prime Video)

 

Comedy Performance (Male)

Alex Murphy & Chris Walley – The Young Offenders (Vico Films and Rotator for BBC Three)

Ncuti Gatwa – Sex Education (Eleven Film for Netflix)

Youssef Kerkour – Home (Jantaculum and Channel X for Channel 4)

 

Daytime Programme

Beat the Chef (Twofour and Motion Content Group for Channel 4)

Good Morning Britain (ITV Studios Daytime for ITV

The Repair Shop (Ricochet for BBC One)

 

Documentary Series

The Choir: Our School By The Tower (Twenty Twenty Productions for BBC Two)

Crime and Punishment (72 Films for Channel 4)

Hometown: A Killing (7 Wonder for BBC Three)

 

Drama Series

Ackley Bridge (The Forge Entertainment for Channel 4)

The Capture (Heyday Television and NBCUniversal International Studios for BBC One)

Gentleman Jack (A Lookout Point Production in association with HBO for BBC One)

 

Entertainment

Britain’s Got Talent (Thames/Syco for ITV)

Love Island (ITV Studios Entertainment/Motion Content Group for ITV2)

RuPaul’s Drag Race UK (World of Wonder Productions for BBC Three)

 

Entertainment Performance

London Hughes – Don’t Hate The Playaz (Monkey Kingdom for ITV2)

Mo Gilligan – The Lateish Show with Mo Gilligan (Expectation and Momo G for Channel 4)

 

Formatted Popular Factual

The British Tribe Next Door (Voltage & Motion Content Group for Channel 4)

Celebrity Gogglebox (Studio Lambert for Channel 4)

The Circle (Studio Lambert & Motion Content Group for Channel 4)

 

History

Jade: The Reality Star Who Changed Britain (Blast! Films for Channel 4)

The Last Survivors (Minnow Films for BBC Two)

Spotlight on The Troubles: A Secret History (BBC NI for BBC Four and BBC One Northern Ireland)

 

Live Event

The BRIT Awards 2019 (BRITs TV for ITV)

The Royal British Legion Festival of Remembrance (BBC Studios for BBC One)

Stormzy at Glastonbury 2019 (BBC Studios for BBC Two)

 

Mini-Series

Chernobyl (Sister, The Mighty Mint and Word Games in association with HBO for Sky Atlantic)

The Long Song (Heyday Television and NBCUniversal International Studios for BBC One)

Years and Years (Red Production Company for BBC One)

 

Presenter

Fred Brathwaite – A Fresh Guide to Florence with Fab 5 Freddy (BBC Studios for BBC Two)

Mobeen Azhar – Hometown: A Killing (7 Wonder for BBC Three)

 

RTS Channel of the Year

BBC Three

Channel 5

Sky Atlantic

 

Science and Natural History

8 Days: To the Moon and Back (BBC Studios, PBS & The Open University, The Science Unit for BBC Two)

The Parkinson’s Drug Trial: A Miracle Cure? (Passionate Productions for BBC Two)

The Planets (A BBC Studios Production with NOVA and WGBH Boston for BBC, PBS co-produced by Tencent Penguin Pictures. A BBC Open University Partnership for BBC Two)

 

Scripted Comedy

Derry Girls (Hat Trick Productions for Channel 4)

Fleabag (Two Brothers Pictures in association with All3Media International for BBC Three and Amazon Prime Video)

Stath Lets Flats (Roughcut TV for Channel 4)

 

Single Documentary

David Harewood: Psychosis and Me (Films of Record for BBC Two)

Undercover: Inside China’s Digital Gulag (Hardcash Productions for ITV)

War in the Blood (Minnow Films for BBC Two)

 

Single Drama

Brexit: The Uncivil War (House Productions in association with HBO for Channel 4)

Doing Money (Renegade Pictures for BBC Two)

The Left Behind (BBC Studios for BBC Three and BBC Cymru Wales)

 

Soap and Continuing Drama

Casualty (BBC Studios for BBC One)

Coronation Street (ITV Studios for ITV)

EastEnders (BBC Studios for BBC One)

 

Sports Presenter, Commentator or Pundit

Alex Scott – 2019 FIFA Women’s World Cup (Input Media [now known as Gravity Media] and BBC Sport for BBC One, BBC Two, BBC Four and BBC iPlayer)

Gareth Thomas – 2019 Rugby World Cup (ITV Sport for ITV)

Nasser Hussain – The Ashes (Sky Sports for Sky Sports Cricket)

 

Sports Programme

2019 Rugby World Cup (ITV Sport for ITV)

ICC Cricket World Cup Final (Sky Sports & Sunset+Vine for ICC TV and Sky Sports Cricket)

FIFA Women’s World Cup 2019 – Semi Final: England v USA (Input Media [now known as Gravity Media] and BBC Sport for BBC One)

 

Writer (Comedy)

Danny Brocklehurst – Brassic (Calamity Films for Sky One)

Laurie Nunn – Sex Education (Eleven Film for Netflix)

Phoebe Waller-Bridge – Fleabag (Two Brothers Pictures in association with All3Media International for BBC Three and Amazon Prime Video)

 

Writer (Drama)

Craig Mazin – Chernobyl (Sister, The Mighty Mint and Word Games in association with HBO for Sky Atlantic)

Neil Forsyth – Guilt (Happy Tramp North and Expectation for BBC Scotland and BBC Two)

Roy Williams – Soon Gone: A Windrush Chronicle (A Douglas Road and Young Vic Production for BBC Four)

 

Source: rts.org.uk

 

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COVID-19 advice for freelancers in the screen industries

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Amid the uncertainty of Covid-19, screen industry groups are offering information to freelancers and the self-employed. Read below to see advice and guidance from the UK government, as well as industry groups such as BECTU, the Film and TV Charity and the IPSE.

UK Government’s Business support announced in the Budget (March 11th):

In the 11th March 2020 Budget, the Chancellor announced a package of measures to provide support for public services, individuals and businesses to ensure the impact of COVID-19 is minimised.

  • A new Coronavirus Business Interruption Loan Scheme, delivered by the British Business Bank, will enable businesses with a turnover of no more than £41 million to apply for a loan of up to £1.2 million, with the government covering up to 80% of any losses with no fees. This will unlock up to £1 billion pounds to protect and support small businesses.
  • For businesses with fewer than 250 employees, the cost of providing 14 days of statutory sick pay per employee will be refunded by the government in full. This will provide 2 million businesses with up to £2 billion to cover the costs of large-scale sick leave.
  • A dedicated helpline has been set up to help businesses and self-employed individuals in financial distress and with outstanding tax liabilities receive support with their tax affairs. Through this, businesses may be able to agree a bespoke Time to Pay arrangement. If you are concerned about being able to pay your tax due to COVID-19, call HMRC’s dedicated helpline on 0800 0159 559.
  • There will be a £3,000 cash grant to 700,000 of our smallest businesses, delivered by Local Authorities, and worth a total of £2 billion.
  • The government is temporarily increasing the business rates retail discount in England to 100% for 2020-21 for properties below £51,000 rateable value. Nearly half of all business properties will not pay a penny of business rates. In addition, the decisions announced by the Bank of England on 11 March 2020 mean that banks are in a better position to provide additional credit to smaller businesses.

According to Business Secretary Alok Sharma said government will continue to review these measures as the impact of the virus progresses. If you have a query that isn’t covered by government guidance you can contact the Business Support Helpline.

www.gov.uk

 

BECTU, a union representing over 40,000 staff, contract and freelance workers in the media and entertainment industries:

Where employers are taking action because of coronavirus, including cancelling a contract because of precautions against the spread of coronavirus, BECTU suggests you:

– Find out whether your production is covered by a BECTU agreement in Feature Film, TV drama*, the construction sector of film or as a supporting artist, or in the advertising production sector. You will have some rights if you are covered by an agreement. Generally, in these industries, most workers are given a week’s notice even though there may not be a strict legal entitlement to it.

* The TV drama agreement stipulates that members must receive the deal memo BEFORE the engagement.

– Ask employers to offer at least two weeks of notice payment instead of the one week.

– Press employers for early confirmation of a job, avoid accepting verbal assurances and ‘pencil’ bookings and agree a cancellation fee in advance of starting the job.

www.bectu.org.uk

 

The Film and TV Charity, a screen industry charity offering a support line and financial services:

The NHS website is being updated regularly with advice on how to protect yourself and keep well.

Looking after your mental health is also important at the moment and our partners at Mind have some great advice.

Our Film and TV Support Line is always there for you, 24/7, helping you to manage issues big and small, on 0800 054 00 00 and live-chat. If the current situation is having an impact on you, why not give us a call to see if we can help.

Our friendly team can offer a listening ear and help you to think through your options. We also offer support grants to help if you’re experiencing significant financial difficulties.

filmtvcharity.org.uk

 

IPSE, the Association of Independent Professionals and the Self Employed:

IPSE wrote a letter (available to view here) to the Secretary of State for Health, Matt Hancock, and the Secretary of State for Work & Pensions, Therese Coffey, on 27th February raising concerns about the impact of the coronavirus outbreak and how it might affect the self-employed. The government outlined its response in its Budget on March 11. Key measures announced to help freelancers included:

  • The minimum income floor in Universal Credit will be temporarily relaxed for those directly affected by COVID-19 or self-isolating, ensuring self-employed claimants will be compensated for losses in income
  • ‘New style’ Employment and Support Allowance will be payable for people directly affected by COVID-19 or self-isolating according to government advice for from the first day of sickness, rather than the eighth day
  • People will be able to claim UC and access advance payments where they are directly affected by COVID-19 (or self-isolating), without the current requirement to attend a jobcentre
  • Introducing ‘Time to Pay’ arrangements – a time-limited deferral period on HMRC liabilities owed and a pre-agreed time period to pay these back – for businesses and self-employed individuals in financial distress and with outstanding tax
  • HMRC has set up a dedicated COVID-19 helpline to help those in need, and they may be able to agree a bespoke Time to Pay arrangement. HMRC will also waive late payment penalties and interest where a business experiences administrative difficulties contacting HMRC or paying taxes due to COVID-19.
  • A new, temporary Coronavirus Business Interruption Loan Scheme, delivered by the British Business Bank, to support businesses to access bank lending (loans of up to £1.2 million) and overdrafts. The government will provide lenders with a guarantee of 80% on each loan.

Advice for freelancers and clients

IPSE broadly recommends that freelancers and self-employed people should start discussing preparations with their clients now: particularly getting ready to work remotely if they can. Clients that rely on the flexibility of freelancers should recognise that this can often mean the self-employed are in a more precarious position if they fall ill or need to self-isolate, even as a precaution. We would hope that clients engage constructively with these workers to put appropriate arrangements in place to minimise health risks and disruption. It would also be prudent to consider how the coronavirus may affect your contractual obligations, for instance checking whether  you have ‘force majeure’ clauses in place. 

Freelancers may also wish to check what health or income protection insurance they have in place. There are a number of options available if you are not currently covered however we would caution that these policies often have a deferral period of three to four weeks and may not provide appropriate cover if you are forced to self-isolate, so it is vital you are aware of the T&Cs before making any decision.

Ultimately freelancers should not feel they must put themselves more at risk just because they are self-employed: health comes first.

www.ipse.co.uk

 

Source: www.gov.uk, www.bectu.org.uk, www.filmtvcharity.org.uk, www.ipse.co.uk, 

 

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UK Film & TV Industry hope for public intervention due to coronavirus

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A leading UK film sales company is calling for public intervention to support the industry as it scrambles to deal with the fast-changing and various impacts of the coronavirus outbreak.

“BFI, Screen Ireland and all these bodies have a huge amount to do. This is the biggest moment they’ve got to make a difference. They should be looking at producers, filmmakers, sales agents and distributors – the whole business,” Tim Haslam, a founding partner at Embankment Films told Screen.

“I would ask them to look at the long-term effects, the medium-term effects and the next 18 months. With productions getting hurt, we know distributors are getting hurt and between that are the sales agents.”

Asked whether an emergency public fund should now be set up, Haslam replied: “Yes, but with a flexibility to help all forms of film. The medium-term cash flow for filmmakers, producers, whoever, is something everybody recognises. It’s important not to differentiate between sales agents, producers and distributors. We are all in it together. We’re all in the same business. There is no differentiation between who it is hurting. It is just who it is hurting first. That is obviously the cinemas and those who are shooting right now because shoots are losing their crews.”

As of March 13, there is no official social isolation policy in place in the UK. Instead, those with a high temperature or a new, continuous cough are being advised to self-isolate for seven days.

However, Screen is hearing reports of bond companies not covering coronavirus incidents. It is understood an increasing number of productions are therefore being put on hold.

Exhibitors are also facing “an unprecedented challenge” according to UK Cinema Association CEO Phil Clapp. “The decision by a number of US studios to delay the release of several of their upcoming major films presents an unprecedented challenge to many UK cinemas, and is something which may genuinely call into question the survival of a number of sites,” he said.

“While we are following government advice closely, current guidance is that there is no reason for the public to avoid visiting the cinema. All UK cinema operators place ensuring the safety of their audiences and staff as the top of their list of priorities, and will each take their own view on the measures necessary to achieve that.”

Government support

There are some measures in place: the UK government is providing support for small businesses impacted by the virus, including sick pay for those self-isolating, and access to coronavirus disruption loans.

“We welcome help from any quarter that supports our member companies’ business continuity planning,” said Charlie Bloye, CEO of Film Export UK (FEUK), of the new government measures. “Resilience and flexibility are characteristics embedded in the independent film sector but we need those qualities more than ever now,”

However, although permanent employees at UK film companies will benefit from these measures, they are understood to not be enough to help the large number of freelancers working in the film production sector. Government official support so far only allows for freelancers and the self-employed to claim universal credit with no “minimum income floor”.

A BFI spokesperson confirmed the organisation was assessing the support for self-employed and freelance workers impacted by the new coronavirus outlined in the Budget and what support that could offer the industry. ”We will continue to work closely with the DCMS, advocating for the sector and passing intelligence in both directions,” they said.

”The situation is obviously a rapidly evolving one but we are working at pace to understand the impact of COVID -19 across the entire ecosystem,” they continued.  ”As a financier, we are obviously supporting our productions with advice on a case by case basis as they encounter any issues with regard to coronavirus, including insurance – obviously each case is different and complex. They are all different projects, with completely different variables, so there isn’t one size fits all guidance, and we are advising them through this challenge, as we would with the many other unexpected challenges that productions encounter.”

As for advice for the wider film community, the spokesperson explained the BFI was providing that on a case by case basis and “signposting to Government and Public Health England advice”.

Many productions ongoing… for now

Production at the UK’s major studios is mostly continuing as normal for now, with productions such as Warner Bros’ Fantastic Beasts 3 still gearing up to shoot. However, Disney announced a production hiatus of live-action titles including The Little Mermaid which is filming at Pinewood, late on Friday (March 13).

“We are monitoring the situation and following government advice but all our studios across the Pinewood Studios Group are fully operational,” Andrew Smith, corporate affairs director at Pinewood, told Screen.

Adrian Wootton, chief executive of the British Film Commission, also confirmed the studios are carrying on as usual as of today.

“All of the studios, to my knowledge, are operating as normal. There is a lot more hand sanitiser being used and everyone is following WHO and NHS guidelines in the way they absolutely should,” Wootton said. “We haven’t heard of any extreme decision being made by anybody. Obviously, that situation could change but not [for] now. Until the government advice changes or we are instructed or advised to do otherwise, the UK film and television industry is carrying on.”

The future

Embankment’s Haslam discounted the suggestion the film market might suffer from a glut of films after the virus is finally contained. “If the film satisfies the audience, it is going to play on whatever platform. It is never a question of having too many,” Haslam said. “The demand is there.”

“We will see where there are opportunities at the same time. We are highly positive people because we believe in storytelling and entertaining audiences,” he added.

One Embankment title, Peter Cattaneo’s feelgood comedy-drama Military Wives opened on over 650 screens by Lionsgate in the UK last Friday (March 6).

“The first weekend, we felt the effects of the virus,” Haslam claimed. “However, fortunately, we’ve got really good midweek figures. If you’re releasing a film at this stage, all the media campaigns [are already] spent.”

Embankment’s employees are now working from home. “Number one, health is wealth. We have to be responsible to our people and to each other – and to put health first,” said Haslam.

He warned companies will now be “very cautious with their cash flow and [will] predict forward for the next year and a half. It is not just about now. It is about the next 18 months.”

Advice for UK film and TV freelancers affected by coronavirus

UK broadcasting union Bectu advises that if an employer cancels a contract because of coronavirus, members should find out if the production is covered by a Bectu agreement in ”feature film, TV drama, the construction sector of film or as a supporting artist, or in the advertising production sector”. If so, workers will have some rights if covered by one of these agreements.

Bectu also advises workers to ask employers to offer at least two weeks of notice payment instead of the one week; press employers for early written confirmation of a job; and agree a cancelation fee in advance of starting a job.

Freelancers advised to self-isolate will not usually be entitled to any Statutory Sick Pay unless they are on PAYE contracts, where the payments will be very small. Because of this, Bectu is urging members to seek a fairer level of compensation for this scenario. Employees at the BBC will be receiving 100% of their salary for any period of self-isolation as a result of Bectu negotiations.

Previously, Bectu head Philippa Childs said she was asking the government to lobby insurance companies to cover freelancers for self-isolation, establish a system to cover lost earnings and guarantee support for businesses that cannot afford this emergency cover.

Click here for the latest advice from Bectu.

Directors UK, the professional association of directors, has urged its members to check employment contracts for any work that is cancelled in case there is any protection offered, however it admits this is unlikely.  They added: “The likelihood is that you will not receive any actual support from your contract in the event of suspension due to the coronavirus outbreak, or you may only receive a notice period payment in the event of termination.”

As part of a detailed FAQ for members, there is also advice on the next steps for those who have lost income due to COVID-19, sick pay, insurance and travel.

Finally, The Film and TV Charity said it is “concerned about the potential impact of coronavirus on people working in film, TV and cinema, particularly in relation to freelance workers and those on limited hours contracts,” and point those affected towards their 24/7 support line at 0800 054 0000 or live chat service on their website.

 

Source: www.screendaily.com

 

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Birmingham students’ film night to raise funds for charity – March 29th

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A group of Birmingham students are hoping to raise thousands of pounds for local youth homelessness charity St Basils with a series of fundraising events, including a special screening of ‘Pretty Woman’ to mark 30 years since the film’s release!

‘Pretty Woman – Immerse Yourself: 30 Years On’ takes place at Birmingham Mailbox’s Everyman cinema on Sunday 29 March, with the event set to include a screening of the Hollywood blockbuster accompanied by dancers and singers in the cinema.

The fundraiser is one in a series of events being hosted by Birmingham City University’s Fashion Business and Promotion students in March, which sees undergraduates tasked with delivering a successful live event without a starting budget.

Lecturer Laura Arrowsmith said: “Each year our students do a fantastic job of not only raising funds to deliver such spectacular events, but generating huge amounts of cash for charity at the events too.

“We run this module each year and it’s really popular with students who love the hands-on experience of organising an event from scratch.”

Other activities planned for March include dog therapy classes and flower arranging with afternoon tea.

All funds raised from the students’ efforts will go to St Basils, who work with more than 5,000 young people each year who are homeless or at risk of homelessness, supporting them to regain stability in their lives and rebuild a fulfilling future.

Tickets

Tickets for ‘Pretty Woman – Immerse Yourself: 30 Years On’ which include complimentary refreshments cost £15 and can be purchased at tickettailor.com/events/visionaryeventsuk/358287.

Starring Julia Roberts and Richard Gere, ‘Pretty Woman’ was one of the highest-grossing films of the 90s and is hailed by many of as one of the greatest rom-coms of all time. A musical based on the film debuted in the West End earlier this month, receiving mixed reviews from critics.

Source: www.birminghamupdates.com

 

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Back In Screenings celebrate emerging black British filmmakers

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The upcoming filmmakers exiting the BACK IN programme will be premiering their new films at The Electric Cinema, supported by Punch Records.
As part of its development programmes, Punch Records invested in a programme to develop black film makers from Birmingham. During the programme, filmmakers were commissioned to create their own films, which will now be shown to audiences at the BACK IN Film Screening.
With genres ranging from thriller to drama, you can see some of the best upcoming filmmakers & directors this region has to offer; who have all been a part of our Back In project over the last year. This event will be hosted by award-winning director, Daniel Alexander.
Date: Tuesday 10th March 2020 & Wednesday 11th March 2020
Time: 5 pm – 6:30 pm
Location: The Electric Cinema (47-49, Station St, Birmingham B5 4DY)
Tickets cost £5 and are limited.

Tuesday tickets

Wednesday tickets

 

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