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ITV supports indie sector with £500k development fund

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ITV’s Director of Television, Kevin Lygo has announced the creation of a £500k development fund targeted at the independent sector to help producers during the crisis.

The fund is designed to accelerate the search for new ideas and content for the channel to play in the later part of 2020 and in 2021.

Announcing the fund Kevin Lygo said today:

“ITV’s success is based on the ideas that are brought to us by indies from across the UK and we don’t want that to stop.  We have this money specifically available to ramp up development over the next few months so we can hit the ground running when current restrictions are lifted.

“The commissioning teams are willing to increase the number of virtual meetings they have in order to build up an exciting slate over the next few months – so if you have an idea for us, especially in the unscripted space, we are in a position to help fund that immediately.

“We want to reassure the indie community – small or big, regional or London – that ITV is very much open for business and we have the resource to invest in ideas for the channel.”

 

Source: www.itv.com

 

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Webinar: Coronavirus and its Impact on Contractual Obligations – April 8th

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The Creative Industries Federation is offering a series of Webinars for members. If you are not yet a member, but would like to have access to this webinar, they are offering free six-month memberships to all freelancers, self-employed workers, and micro-businesses to help support you through this difficult time. Click here for more information.

The next webinar is Coronavirus and its Impact on Contractual Obligations in Wednesday 8 April at 3:30pm.

Why this course?

The COVID-19 pandemic has been the most disrupting event most of us can remember. For many businesses, everything has ground to a halt. Many of you have contracts which either you – or the other party – can no longer perform, either because performance has become literally impossible (e.g. because supplies cannot get through to you, or what you had intended to do is currently banned by the government) or impractical (e.g. because you no longer need the supplies as there is no demand for your goods, or you simply no longer have the money to pay under the contract).

Join Peter Nunn, Legal Director at Mishcon de Reya LLP solicitors, who will be explaining more about this and answering your questions during an exclusive webinar for Creative Industries Federation members.

The webinar will explore potential paths out of these problems. This could include contracts containing a “force majeure” clause, excusing a failure to perform your obligations if an event occurs which is outside of your control, or if a contract could be “frustrated” by the pandemic, meaning that it is immediately terminated.

 

Source: www.creativeindustriesfederation.com

 

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ScreenSkills launches free remote training

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ScreenSkills has launched a free package of remote and interactive training, online talks and masterclasses with industry leaders. These will support freelancers in upskilling and staying in touch with industry during these difficult times.

Leading figures from across all the broadcasters, indies and the new content providers have stepped forward to give their time to share insight and show solidarity with the screen industries workforce in this unprecedented period of lockdown. The new package builds on initial support in mental health, wellbeing and practical issues such as employment law that have been underway since the beginning of the week.

Announcing the extended programme today, Seetha Kumar, chief executive of ScreenSkills, said: “We know the big worry for many freelancers right now is the impact of lost jobs and income due to the Covid-19 crisis. ScreenSkills, with colleagues across the creative industries, has lobbied the Government to act and gave a cautious welcome to news of some financial support for freelancers.

“However, we thought it was important to play our part in making sure the industry and its workers stay as resilient as is possible in the circumstances. So we have built a range of online sessions – some offer practical guidance on issues such as employment law, others on skills from pitching and development to managing teams and others offering useful industry insights from executives, creatives and commissioners that we hope will be helpful for your return to work when it comes. Still others are just to help you get through the day.

“It’s a programme developed in haste with enormous support from our colleagues across the industry and will evolve in coming weeks. But it is being shared in a spirit of all doing what we can to support the amazing screen industries workforce during this hiatus in production.”

Training and support is being offered from the High-end TV Skills Fund with industry contributions and through ScreenSkills film team investing industry contributions to the Film Skills Fund and National Lottery funds awarded by the BFI. This builds on work kickstarted by the ScreenSkills Indie Training Fund who have been offering rapid response support including an employment and contract law surgery, business skills for freelancers and mental health and wellbeing sessions since Monday with more to follow.

Now the TV Skills Fund is investing contributions from BBC, Channel 4 and Channel 5 in a programme led by media consultant Donna Taberer of six sessions a day for forthcoming weeks including Q&A sessions on finance, business skills and working from home.

ScreenSkills Online Training Schedule

The schedule will be:

  • 10.00 – 11.15 – training workshops including storytelling, commentary writing, pitching and development and managing and leading teams.
  • 11.30 – 12.45 – industry great masterclasses with Simon Ford, Ken Loach, Tim Wardle, actor Con O’Neill, Rowan Deacon, Zac Beattie, Kate Thornton, Sanjay Singhal, Mobeen Azhar, Olly Lambert, Dan Dewsbury, Anna Hall, Amy Flanagan, Lisa Holdsworth, Pete Beard, Jon East, Nicole Taylor and Jenny Ash signed up so far.
  • 1.00– 2.00 – lunch with a commissioner. Enthusiastically supported by broadcasters, this is an opportunity to “have lunch” with a commissioner. Nearly 40 have volunteered including from: Channel 4 – Karl Warner/Kelly Webb Lamb/Phil Harris; BBC – Emma Loach/Jack Bootle/Tommy Bulfin; Channel 5 – Guy Davies/Lucy Willis; UKTV – Helen Nightingdale; ITV – Kate Teckman and Amanda Stavri; Amazon Studios – Dan Grabiner
  • 3.00 – 4.00 – talent manager takeovers. More than 60 talent managers from across the UK and the widest spread of indies will cover general career advice, networking, CV clinics, juggling portfolio careers, interview practice and how to manage you career and development plans
  • 5.00 – 6.00 – craft workshops and partner sessions with practitioners including James Green, Matt Rudge and Sophie Jones and music in documentary with film-maker Neil Crombie, composer Alex Parsons and editor Rupert Houseman. Sessions will cover presenting skills, how to get an idea out of your head and onto paper, guiding UGC in filming during isolation, improving your sound, diverse and inclusive casting, presenting skills and how to be a great freelancers and how to be a great entrepreneur.
  • 7.00 – 8.00 – peer-to-peer support sessions and socials.

There will also be mini writers’ rooms to support writers including first-time writers.

 

To Register

The detailed programme will be released a week at a time to allow everyone a chance to benefit.

All ScreenSkills events can be found in the directory here. Numbers will be kept modest in the first week of pilots but will be adjusted where possible after that to meet demand.

ScreenSkills politely ask freelancers not to over-book as we want to reach as many freelancers as possible. And if you need to cancel please let us know them we can release the place. They hope to record most industry great masterclasses and craft workshops and these will be shared at a later date for those freelancers who can’t make the allotted time or if sessions are over-booked.

In order to apply for opportunities, make sure you’re registered and logged in to your ScreenSkills account.


 

View all courses and register here.

Sony’s $100m Global Relief Fund to benefit the creative community

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Sony Corporation has announced the establishment of the “Sony Global Relief Fund for COVID-19,” a 100 million US dollar fund to support those around the world affected by the COVID-19 virus.

Through this fund, Sony will provide support in three areas: assistance for those individuals engaged in frontline medical and first responder efforts to fight the virus, support for children and educators who must now work remotely, and support for members of the creative community in the entertainment industry, which has been greatly impacted by the spread of the virus.

In terms of the creative community such as music, pictures, games and animation, together with its group companies engaged in the entertainment industry, Sony will seek ways to support up-and-coming creators, artists and all those in professions supporting the industry, who have been impacted by the cancellation or postponement of concerts and live events, or the shutting down of film and television productions.

Sony also announced that employees will be able to provide their support through a matching gift program that is scheduled to be offered to its approximately 110,000 employees worldwide.

In terms of medical support, 10 million U.S. dollars of the fund will be devoted first to the COVID-19 Solidarity Response Fund for WHO powered by the UN Foundation and Swiss Philanthropy Foundation, as well as Médecins Sans Frontières (MSF), United Nations Children’s Fund (UNICEF) and United Nations High Commissioner for Refugees (UNHCR) to assist medical workers and others on the frontline of response efforts to the virus. Sony will also work with its external partners to explore ways that it can support activities that prevent the further spread and contribute to treatment of the COVID-19 virus.

In the area of education, where children, who represent the next generation, are losing education opportunities as a result of school closures, Sony will explore ways to leverage its technologies in support of education activities, and cooperate with educators to implement these measures.

Sony also announced that employees will be able to provide their support through a matching gift program that is scheduled to be offered to its approximately 110,000 employees worldwide.

Kenichiro Yoshida, President and CEO, Sony Corporation, said, “Sony extends its condolences to the families of those who have passed away as a result of the COVID-19 crisis, and extends its sympathies to all those who have been impacted. In order to overcome the unprecedented challenges that as a society we now face around the world, we will do all we can as a global company to support the individuals on the frontlines of the battle against COVID-19, the children who are our future, and those who have been impacted in the creative community.”

Going forward, Sony will work together with its partners and stakeholders to explore ways to further extend these initiatives.

 

Source: www.productionguild.com

 

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BBC promises £700,000 to The Film and TV Charity

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The BBC has committed to donate £700,000 to The Film and TV Charity, the charity supporting the UK’s film, TV and cinema workforce. This BBC donation is intended to assist those affected by the hiatus in filming and production caused by the global COVID-19 pandemic, particularly freelance workers.

The funds will give immediate support for people working in film, TV and cinema, with £500,000 going towards the new Film and TV COVID-19 Emergency Relief Fund, in partnership with the British Film Institute (BFI).

£200,000 will go into the charity’s two-year mental health action plan, known as the Whole Picture Programme, to address the widespread issues found in research released by the charity earlier this year. The BBC joins the industry-led Film and TV Taskforce on Mental Health, set up to co-fund and co-create the action plan and spearhead a movement for change within the industry. The BBC donation funds will come principally from the BBC’s commercial production and distribution arm, BBC Studios, with contributions from public service commissioning teams, including BBC Content.

Charlotte Moore, Director, BBC Content, says: “Freelancers are the lifeblood of our industry, keeping our shows creatively brilliant for all audiences. At times like these it is critical we stand by them. We are proud to contribute to The Film and TV Charity, to support our industry’s freelance community during these unprecedented times.”

Tim Davie, CEO, BBC Studios, says: “This is a critical time for our industry, and we want to do all we can to support the talented and hard-working individuals who are so essential to our sector. As part of that, we are glad to back The Film and TV Charity’s important mission. I hope that this will play a part to ease the difficulties some are facing, and protect those who help to make the UK’s creative sector the envy of the world.”

Alex Pumfrey, CEO of The Film and TV Charity, says: “Coronavirus is having a devastating impact on the thousands of talented and brilliant people who work in our TV industry. For so many, their livelihoods have disappeared overnight. The financial losses are accompanied by serious mental health concerns as we enter a period of isolation and joblessness. This exceptional commitment by the BBC to support the Covid-19 Emergency Relief Fund for workers, and also the Whole Picture Programme for better mental health in TV, will help us to provide the urgent support that is so desperately needed.”

The Film and TV Charity is currently working on the precise eligibility criteria and level of individual funding but the fund will be open to those working in production, distribution and exhibition. Those interested in hearing when the fund launches should register for the charity’s mailing list at: https://filmtvcharity.org.uk/keep-in-touch/

Those in immediate and urgent need can apply for support via The Film and TV Charity’s existing hardship fund, offering grants of up to £500 to provide stop-gap support. This hardship fund will sit alongside the new Film and TV COVID-19 Emergency Relief Fund.

For more information on the charity’s financial support visit: https://filmtvcharity.org.uk/coronavirus-financial-advice/

The Film and TV Charity already provides 24/7 mental health support to the industry via the Support Line. You can speak to a friendly advisor by calling 0800 054 00 00 or using Live Chat.

 

Source: www.productionguild.com

 

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Submit to Flatpack 2020: the Home Entertainment Edition

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The planned Flatpack Festival has been cancelled, but there are two opportunities to contribute to Flatpack 2020: the Home Entertainment edition.

Hear from Flatpack below:

Like many others the Flatpack team have been adjusting to the world of remote working, navigating the joys of video conferencing and trying not to get distracted by the laundry. Although our May festival is no longer happening, we’ve been busy planning a virtual edition which you will be able to access for free without leaving your sofa from Friday 1 May. As well as a bounty of short film exclusives for all ages, the programme will include a couple of open call events which are now welcoming your submissions.

 

PECHAKUCHA BIRMINGHAM

Sunday 10 May, 3pm
Just as before, we are inviting presentations on the theme of ‘Vision’ using the PechaKucha format (20 slides, 20 seconds each). The difference being that you will no longer be expected to come down to the festival hub to present it, but can instead record your talk at home. A few words from PK Birmingham organiser Ben Waddington:

“We are expanding the original theme of Vision to reflect the mood, thoughts and routines of our overnight lockdown culture. Vision could now be interpreted as what you have been watching for entertainment, information or for pure escapism. You may find you have been reflecting on your political worldview, approach to health and your future beyond-the-doorstep travel plans. For most of us, 2020 will not end the way it began.”

If you have a Vision in twenty slides which you’d like to share, get in touch with Ben by Friday 17 April and he’ll tell you what to do next.

 

OVERLAP ANIMATION SHOW & TELL

Wednesday 13 May, 7pm
Launched at Flatpack 2019, Overlap is a popular quarterly gathering for the region’s animators. As well as showing new shorts and work in progress many Overlap guests also create pieces especially for the event, and this time they’ll be sharing them in a virtual bar for your viewing pleasure. The prompt for this event is WILD, and submissions are open for anything over 1 second. Get in touch with Louis Hudson by Monday 11 May if you want to contribute.

Image from The Science of Sleep (Michel Gondry, 2006)

 

Source: flatpackfestival.org.uk

 

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BECTU’s urgent online gathering – April 1st

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BECTU’s urgent online gathering for crew in Post Production and Facilities to discuss COVID-19 & the Chancellor’s Freelance package

Please join BECTU on Wednesday 1st of April for The Rough Assembly’s COVID-19 Big Gathering from 7.30pm onwards. Register here.

 

BECTU and the Post Production and Facilities branch committee welcome the recent financial package for the self-employed outlined by the Chancellor, but it doesn’t go far enough, and has left many members with very little or no support at all.

Fine print, further measures and an earlier implementation date is desperately needed with immediate effect, and we continue to lobby the government on members/crew’s behalf in attaining these details and date movements. In the meantime, we are in a position to give you support and insight into the following topics:

– What does the self-employed package mean and what does it currently entail?

– What help is available to me based on my employment/engagement status?

– What are BECTU doing to help me?

– What industry support is available to me?

– What will happen to Britain’s Film & TV Industry?

Speakers include:

Tony Lennon (BECTU Freelance research officer)

Riccardo Bacigalupo (Editor & Branch Secretary)

Paul Evans (BECTU Assistant National Secretary)

Meredith Leece (Editor & Branch co-Chair)

Nia Hughes (Post Production and Facilities branch Organising Official)

Dan Roberts (Editor & committee member)

This meeting will be hosted on Zoom and is open to BECTU members and non-members. You do not need a Zoom account to join the meeting, but you will need a device which has microphone and video capabilities. The details are as follows:

https://zoom.us/j/6200206512

Meeting ID: 620 020 6512

 

Join the conversation at 7.30pm sharp on Weds, April 1st. Register here.

 

Source: www.bectu.org.uk

 

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BBC calls for scripts about Self Isolation – Deadline March 30th

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BBC Writersroom believes in the power of stories and storytellers to keep us hopeful, entertained and to help us make sense of the world, particularly in such a strange and unprecedented time as the one we find ourselves in now.

That’s why they’re asking for original short-form scripts, between 5-10 minutes in length whose 2-4 characters now find themselves in isolation, but connecting via video conferencing. They may be friends, lovers, neighbours, colleagues, family or strangers. But they’re all alone together and using modern technology to stay connected.

These stories should take place throughout and via a conference call. Stories that show a moment of human interaction in an otherwise socially distanced world. Though of course, when it feels like the end of the world, the things we choose to say or the truths we reveal to one another may be the most surprising.

We want scripts that are compelling and hook us in. Ideas that have warmth and spirit, that astonish, amuse or enlighten us. They should be set now or in the near future.

We’ll select four of the best to be produced with professional actors and released on BBC platforms throughout April. The selected writers will each receive £300 for their script.

Deadline: Monday 30th March at 12 noon

 

Submit your script via our E-submissions system using this link

Read the full Terms and Conditions of Entry

Read our Privacy Notice 

 

Source: www.bbc.co.uk

 

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Film/TV production contingency plan during coronavirus

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Source: www.broadcastnow.co.uk

Read below for an outline of best practice for a coronavirus contingency plan, from Derek Drennan, founder of small indie advisory The Nest:

 

Productions across the UK are being put on hold for the foreseeable future. Some are pressing on without insurance and others are postponed, leaving small indies confused about what they should be doing on a day-to-day basis during this time of extreme uncertainty. Misinformation is rife and each production is being viewed on a case-by-case basis but there are a few ways by which small producers can mitigate the damage, and I have been advising them as such.

A speedy and solid coronavirus action plan is essential. Consider all eventualities and how far they could escalate. Teams should now ideally be working from home as per instructions from the experts on Monday.

During filming, a sensible approach would be to use skeleton teams as much as possible on set and on location . Succession planning is an important part of this.

Look at replacement measures for all team members and crew so that you always have someone who can step in during illness and quarantine – a highly-likely disruptor. Keep a list of people who can ‘step up’ to these roles – for example, camera ops could replace PDs .

Consider splitting production teams and separating them into smaller teams i.e. ‘Team A’ and ‘Team B’ who will work apart in different locations, meaning you always have a team who can carry on should one team “go down”.

Anyone who feels unwell should be forced to go home and rest for at least a week in quarantine as per advice. This may take some persuading – especially for those freelancers out there who insist they are fine in fear of losing work – but it needs to happen.

Producers and scriptwriters should be thinking of contingencies for key cast and locations that they can use as backups. Any key locations/studios should be pencilled in for future dates so that you know when you can schedule them in again after a lock-down.

For any productions that manage to get to the edit, it is possible for editors these days to be set up remotely from home on AVIDs and there are clever ways of keeping track on progress even without having to be sat next to someone all day. Speak to your post-production house and ask them to help work out the back-up edit plan.

Communication is key. Ensure your production teams are aware that insurance cover is excluded for any coronavirus-related illness, while making everyone aware of their rights and the company’s stance in relation to sick pay. The government will pay statutory sick pay for anyone who is PAYE from day one, but that currently excludes any of your Schedule D or LTD company contractors.

Most of all, look after your teams. This is a scary time for them too. Point freelancers to the people who can help support them in a crisis, such as the Film & TV Charity.

And crucially, once your plan is firmly in place, speak to your commissioning editor. It’s worth coming up with an agreement upfront should the production be delayed, with a good idea of how the broadcaster can help financially.

Don’t forget to review your plan as time goes on, as things are changing day to day. Coronavirus will unfortunately affect us all so it’s about eliminating the risks. But there are people out there who can offer support and guidance through these unknown times.

Keep calm and remember you are not alone.

 

 

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The Talent Manager’s Coronavirus FAQ’s for Freelancers

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Read below the Talent Manager’s Guide for Freelancers in the industry:

updated 17/03/2020

 

Freelancing in TV has always been a difficult and precarious career option – and it takes resilience to make it work. Everyone has gone through ‘quiet’ periods. But none of us have experienced anything like chaos caused by the coronavirus.  

Barely an hour passes without news of another production, festival, premiere or trade show that has been cancelled or postponed. From Match of the Day to MIP TV in CannesLine of Duty to the new James Bond, Studio Lambert’s Celebrity Race across the World to Coronation Street Today, the BBC announced it was pausing all its continuing dramas

TV and film are essentially social activitiesthey involve going out in the world and interacting with people be they participants, interviewees, audiences, cast or crew. The self-isolating and social distancing required to dampen the spread of the virus is existentially at odds with the process of production. 

It’s not just the all-consuming breadth of the crisis but also the speed at which it’s happened: no one – commissioners, production companies, or freelancers – had time to prepare. Although the soaps generally have a few months’ worth of programmes in the can ahead of transmission, for everyone else contingency plans are being put together on the hoof.  

And this comes after what for many has already been a challenging six months – a combination of the traditional slow-down in production over the winter months, and the EU-election uncertainty.  

If there is a sliver of hope, current estimates are that the crisis will peak in 10-14 weeks, so the worst is likely to be over by mid-summer.  

But in the meantime, a lot of people are facing some very difficult times.  

With all the other upheavals and disruption, it can be overwhelming trying to figure out what one’s rights are, and what support you can get.  

So, we’ve put together a simple guide to answer at least some of the questions that many freelancers are asking.   

It’s not exhaustive, and the situation is evolving very rapidly, so please do feedback with amendments and updates. In the meantime, we hope this is a useful starting point for freelancers who suddenly find work being cancelled, opportunities vanishing, bills to pay and potential anxieties about their health – both physical and mental.

The production I’m working on has just been cancelled/postponed? Am I entitled to notice period?

First thing: read your contract.  

Most production contracts stipulate just 1 week’s notice.  

However, according to Bectu, some companies are citing force majeure – meaning they wouldn’t have to pay even that. In such situations, it’s worth calling Bectu or the NUJ to see what your rights are.  

Of course, for freelancers there’s always the dilemma of whether to stand up for what’s right, or you may be entitled to, and risk not getting hired by that company again.  

If you are registered as a Limited company, and selling your services to the production through that, rather than a PAYE contractoragain, you need to refer to your contract  

One freelance PD who contacted the TM with his experiences was somewhat typical:  

He works via his own Limited company. A week ago he was told that a production he was due to start on had been suspended for at least 2 months and, yesterday, that another event – due to start on Monday for 11 days work had also been postponed. ‘’I asked them what their cancellation policy is, which they didn’t have an answer for. That’s the best part of £4,000 of earnings just taken away.’’ 

Although he had received a ‘deal memo’ and PO number from the company, confirming the job, the days booked, the rate and how to invoice them, it makes no mention of a cancellation policy. 

“Part of me is reluctant to go too hard [in arguing for a cancellation payment]. I’ve worked for them for a number of years but had to push hard recently for a rate increase to reflect the fact I was working at a more senior level. But is this the time to play hardball and potentially damage the relationship?’’  

Anecdotally, it seems freelancers working in High-End TV drama and film are being put on ‘half-pay’ deals – for up to 4 weeks – rather than simply terminated. This is likely to be the longer running nature of many scripted production contracts, and the complexities of them gearing back up for filming again when the hiatus does end. Post production also appears relatively – and we use that word very reservedly – ok. Despite having some jobs cancelled or postponed, most Post houses have switched quickly to enable their people to work from home. In the short term, they seem able to cope albeit with anxiety over the longer term pipeline of work. 

Factual, docs and light entertainment seem to be the most adversely affected with rafts of productions being paused or cancelled, and freelancers are given little or no notice. 

One suggestion is try speaking to the production company and see if they have any other work you can take on that doesn’t require being out and about, or even in an office with other people. Several companies are bringing their PDs back from location and giving them work edit producing, in development or doing research although, of course, that has a knock on for others who might have been hired. The Talent Manager is encouraging companies to offer an opportunities they have as Job Shares – using its new Job Sharing functionality – so that as many people as possible have some form of work, and income.

 

What are the broadcasters doing? 

 

Of course, many production companies, especially the smaller ones, are in a similarly dire bind – with overheads and salaries to pay, and their income source suddenly on gone 

Both the BBC and ITV say that they are treating each production on a ‘’case by case’’ basis. That is, the productions are negotiating directly with commissioners and business affairs over any financial support they can access, as well as changes to their schedules and contractual delivery requirements.  

PACT is encouraging its members to contact them to share experiences and issues, so it can try and coordinate a response but admits that the broadcasters are unlikely to provide blanket on-going support for suspended productions 

Behind the scenes, Bectu is trying to coordinate discussions with major industry employers – as well as asking for the government to step in with additional support.

 

.. and Government? 

 

Bectu and PACT have issued calls for the government to step in and provide support. Mike Clancy, general secretary of Prospect – of which Bectu is a part – has written to the Chancellor, Rishi Sunak, asking for more to be done to “recognise and alleviate the situation of freelance and self-employed workers.’’  

Being a freelancer in the current situation can feel very lonely. So if there is a source of solace, it’s that you’re not alone: there are an estimated 5m self-employed people working in the UK – 15% of the total workforce – so the situation extends beyond the creative industries, and hopefully cannot be ignored completely by the government. Although yesterday’s unprecedented £330bn intervention did not include any direct help for the self-employed, experts believe some support will be provided. 

Tracy Brabin MP is creating a dossier to help the government understand the plight of self-employment; you can email concerns directly to herTracy.brabin.mp@parliament.uk

 

Can I claim sick pay? 

 

If you’ve been confirmed as having Covid-19 or have taken the decision to self-isolate based on the government guidance, then you will be able to claim Statutory Sick Pay from the first day you are off sick or unable to work. (You used to have to wait till day 4 before SSP kicked in, but this was changed – temporarily at least – in the recent budget.)   

If you’re an employee – that is, staff or on a short-term PAYE contract – you are eligible for SSPYou need to have done work for that employee – ie your contract needs to have started; you’ll need to have been earning at least £118 a week; and you’ll need to notify your employee that you’re sick.  

The minimum rate for SSP is £94.25 a week, for up to 28 weeks. Usually, you would be paid for this by your company and they would then claim it back from the government. (Some companies will pay you your standard rate and reclaim this lower amount – but you need to check your contract.) 

 

But … I’m not an employee. What then?  

 

Of course, many people in TV and film are not paid PAYE 

If you’re a Sole Trader – and sick or self-isolating – you need to apply for benefits, specifically the Employment and Support Allowance, which is the equivalent of sick pay for the self-employed. As one of their special ‘corona-tackling’ measures, the government has said they will fast-track payments so recipients will not have to wait the usual 5 days to receive this.  

If you’re a Limited Companyand that’s how you sell your services and invoice your clients, then it’s your company that should be looking after you. Your clients have no responsibilities for youIn theory, your company can still pay you Statutory Sick Pay (£94.25/ week for 28 weeks) and then claim it back from the government. 

 

I’m not sick or self-isolating but my work has completed dried up

 

If you are not an employee, you may instead be eligible for Universal Credit or Job Seekers allowance.  

The government has released a special guide for those who might need to claim UC as a result of the pandemic. You can read it here – https://www.understandinguniversalcredit.gov.uk/coronavirus/ 

Universal Credit is far from a straightforward system – as most people will be aware – and the unions among others have argued it’s not fit for purpose, especially in the current crisis. “UC is a system which time and time again has been proven to be unable to cope with any form of change in demand,’’ said Mike Clancy of Prospect. “Asking freelance workers to rely on UC or indeed ESA is simply inadequate.’’   

However, the government has, temporarily, removed some of the loopholes, such as the Minimum Income Floor, which should make it slightly easier for those who need to claim now 

Other useful links 

Citizens Advice Bureau

The Association of Independent Professionals and the Self-Employed (IPSE)

HMRC has put out guidance for companies affected by C-19 

Money Saving Expert – Martin Lewis

 

What about Income Protection Insurance?
 

Income protection insurance (sometimes known as permanent health insurance) is a long-term insurance policy designed to help you if you can’t work because you’re ill or injured. It gives you a regular income until you retire or are able to return to work.  

But, like Critical Health cover (which offers a one-off, lump sum payment), it only kicks in if you’re taken ill, and if the illness is one on a specified list. Clearly, its unlikely many policies will now include cover for corona-virus. Moreover, given that corona-virus – for the majority of people – is debilitating for only a short period of time, these policies are unlikely to provide much help. 

 

Is there any other help available? 

 

If you’re struggling – emotionally or financially- the Film and TV Charity may be able to help.  

They have a 24-hour helpline – 0800 054 0000 

If you’re facing financial hardship you should read the guidance provided on their website and look at all of your options, including the emergency measures put in place by some banks and HMRC, before getting in touch. If, having considered all of your options, you’re facing an urgent and immediate need for financial assistance, the charity may be able to offer one-off grants. You can complete the financial support form immediately. You don’t need to call their Support Line.

With the situation changing rapidly, it’s important to look after your mental health. All the talk of Covid-19 can make us feel even more anxious. You’re not alone. A lot of people will be feeling this way right now. You can ask for help. The charity can provide a listening ear and can also quickly refer you to trained counsellors who can provide more structured support over the phone. It’s important to stay connected with friends and family as well.

If you’re looking for legal advice, emotional, or any other kind of support you’re encouraged to use the Live Chat function on their website rather than calling, where you will reach a friendly advisor who can talk to you about your options.

When there’s a crisis, it’s good to remember that people often come together to support each other and help others out. Doing things in your community can help you to feel like you’re making a difference. As the charity supporting the UK industry in times of crisis and opportunity, The Film and TV Charity is entirely reliant on donations and welcome individual and corporate donations from those who can afford to contribute. Please note that they’re currently unable to provide voluntary opportunities. Donate today or email their Head of Fundraising Tom.Woodward@filmtvcharity.org.uk.

My bills are mounting up and I’ve got no means to pay my mortgage?

 

The fact that banks are offering to ‘payment holidays’ on mortgages of 2 to 3 months has been widely publicised. However in practice, the experience seems mixed: some freelancers have said it has been very straight forward to secure these ‘mortgage payment breathers’, others that the banks have been less amenable, and requiring proof that you have no means to pay before agreeing.  

The best thing is simply to contact your bank and discuss it.  

However, be alert: experts have warned that there’s a chance that taking a mortgage repayment holiday could also affect your credit file. They recommend keeping note of any conversations and retain all correspondence in case the lender accidentally marks your holiday as arrears. That way you should avoid any issues when you come to remortgage. 

Find out more here.   

https://www.homesandproperty.co.uk/mortgages/coronavirus-mortgage-holiday-uk-a137241.html?amp&fbclid=IwAR2W4tvS_mC-JB8mXNzj1dZ27vDsDDkPcJnD5NY83evd8xk9Egkw1vvlNV4

 

What about my Council Tax and other outgoings? 

 

The best thing is usually to phone up and be straightforward. Most companies appreciate people telling them if they are struggling to pay bills – rather than having to chase and chase and find out the hard way – and will respond constructively, with advice about reducing consumption (if applicable) or arranging a payment plan.  

For example, a number of councils are reportedly agreeing to short term payment holidays for council tax payments. 

Everyone recognises we these are unprecedented circumstances and are likely to be relatively short term, and that the best – and only – way for all of us to get through it is to work constructively, together. 

 

Do let us know your experiences – so we can update this blog

 

And in the meantime, stay healthy, stay sensible, try not to despair, and let’s all do whatever we can to look after each other. 

 

Source: www.thetalentmanager.com

 

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