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Stars hit red carpet in Birmingham for This Town premiere

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Stars hit red carpet in Birmingham for This Town premiere

The new BBC drama from Peaky Blinders creator, Steven Knight premiered at Birmingham Town Hall last night, Tuesday 18 March and celebrities turned out to see it.

Screening on BBC1 on Easter Sunday at 9pm we can look forward to the high action drama from the Brummie writer with much of the scenes filmed around the West Midlands.

This Town tells the story of an extended family and four young people who are drawn into the world of ska and 2-Tone music, which grew from the grassroots of Coventry and Birmingham in the late 1970s and early ’80s. Unifying black, white and Asian youths at that time, Knight previously said the series soundtrack would be ‘sensational’.

Both a high-octane thriller and a family saga, This Town opens in 1981 at a moment of huge social tensions and unrest. Against this backdrop, it tells the story of a group of young people fighting to choose their own paths in life, each needing the second chance that music offers.

Celebrities attending the premiere were Geraldine James, Peaky Blinders’ Jordan Bolger and UB40’s Robin Campbell.

Source: Birmingham Live

BFI Film Academy open call for delivery partners

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BFI Film Academy open call for delivery partners

The BFI Film Academy Courses programme is part of the BFI’s Skills and Workforce Development strategy. It aims to provide opportunities for talented and committed young people between the ages of 16–19 to develop new skills and build careers in the screen industries, regardless of their background, previous educational achievement, or personal circumstances, with a focus on those from underrepresented groups in the industry. Courses must be led by industry experts and cover key areas of the screen industries, enabling young people to develop crucial commercial and cultural knowledge and skills to make those first steps towards a career in the screen industries.

BFI Film Academy Courses are supported by the Department for Education in England, National Lottery funding awarded by the BFI, with up to £1,052,250 allocated for 2024-25 to deliver 12 regional or national BFI Film Academy Shorts Courses, and up to £640,000 allocated for 2024-25 to deliver eight BFI Film Academy Specialist Courses.

Read more about the BFI Film Academy here.

Key fund dates

Application launch dateTuesday 5 March 2024
BFI Film Academy open call funding webinar2pm Wednesday 20 March 2024
Application closing dateMidday on Friday 3 May 2024
Decision and offer of funding for Short CoursesWeek commencing Monday 10 June 2024
Decision and offer of funding for Specialist CoursesWeek commencing Monday 1 July 2024
BFI Film Academy Short Course commencesFrom September 2024
BFI Film Academy Specialist Course commencesFrom February 2025

What you can apply for

  • For Short Courses, partners can apply for up to £91,500 per region.
  • For Specialist Courses, partners can apply for up to £80,000 per course.
  • See the fund guidelines for a detailed breakdown of what you can use the funding for.

What you need to provide

A full list of what you need to provide can be found in the fund guidelines for each course.

Apply for funding 

Read the full guidelines for the course you’d like to deliver below. You can apply using the application link in the guidelines:

 

For more industry information, visit Film Birmingham’s news page. Or add us on InstagramTwitter or Facebook.

Iris Prize Documentary Fund

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Iris Prize Documentary Fund 2024

The Iris Prize LGBTQ+ Film Festival has established a fund (up to £20,000) to finance documentary films (running time: 22/25 minutes or 40 minutes) produced by emerging UK-based LGBTQ+ filmmakers. The Documentary Film Finance Fund is sponsored by OUTtv Media Global and Aberystwyth University.

THE PROCESS:

The Iris Prize will oversee the intake and shortlisting of the applications to the Fund. The Iris Prize Team will be headed by Berwyn Rowlands (Festival Director) and Angela Clarke (BAFTA nominated Documentary film maker). OUTtv Media Global shall make the final selection from the shortlist provided by the Iris Prize.

THE APPLICATION

The initial application will require the following elements:

  1. Project Title
  2. Sentence describing project
  3. Paragraph describing project
  4. Film maker statement explaining why their project should be financed
  5. Examples of relevant work to support the application
  6. Key talent CVs.

Apply here!

WHO CAN APPLY?

Individuals living in the UK can apply with stories that are set in the UK. The fund will be interested in supporting filmmakers who identify as part of communities that are underrepresented in the film industry, including, but not limited to, black, Asian, and minority ethnic people and women.

AUDIENCE – SCREENING THE COMPLETED FILM:

OUTtv Media Global Inc will make sure that the finished film is seen by securing the following rights to the Film in all media for twenty-five (25) years. This will cover:

  • The exclusive Linear Broadcast Rights for Canada
  • The exclusive Expanded Broadcast Rights in Canada, Australia, New Zealand, South Africa, United Kingdom, Republic of Ireland, United States; and
  • The non-exclusive Expanded Broadcast Rights in the rest of the world.
  • The filmmaker retains all other rights.

DECISION MAKING:

The applications shall be reviewed and selected based on the following criteria, in no particular order of importance:

  1. Creative elements: originality of the subject matter/point of view
  2. Creativity, discoverability
  3. Diversity of the creative team
  4. Degree of relevance of the subject matter to the LGBTQ+ community
  5. Track record of the producer/director.

2024 KEY DATES

  • Tuesday 13 February – Open the call for applications
  • Thursday 29 February, 2024 – Zoom call with Angela Clarke and Grant Vidgen for interested filmmakers
  • Sunday 31 March, 2024 – Last date for the receipt of applications
  • April 2024 – Shortlisting process
  • Thursday 2 May, 2024 – Shortlist announced. Between 3 and 6 projects maximum
  • June/July 2024 – Summer School in Aberystwyth (TBC) with support of the Theatre Film and Television Department at Aberystwyth University
  • August/September 2024 – Announce the selected project commission

If you have any questions regarding the fund feel free to email angela@irisprize.org

 

For more industry information, visit Film Birmingham’s news page. Or add us on InstagramTwitter or Facebook.

BFI NETWORK England short film funding 2024

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BFI NETWORK England short film funding

For live action, animation and immersive/virtual reality.

This fund is open to filmmaking teams with directors based in England. It supports the production costs of standalone fiction films. These can be live action, animation or immersive/VR and must be no more than 15 minutes long. The fund is intended to stimulate new ideas and stories, so it doesn’t support adaptations of existing material, apart from of the writer’s own previous work.

If your project does not fit the criteria for this fund (for example, your director is based outside England, or your project is a documentary), use the funding finder page to find relevant opportunities.

How much you can apply for

You can apply for funds from £5,000 to £25,000.

Demand for BFI NETWORK funding

Based on previous rounds, BFI NETWORK expect to receive a very high number of applications to this fund, and they have a limited amount of funding available. In 2023, they received 1,161 applications and were only able to offer funding to 36 of these films.

The BFI NETWORK’s detailed guidelines will help you and your team decide if this is the right funding route for your project, and give you details about how they assess applications, and the priorities that guide those difficult decisions about which projects they will support.

Working with BFI NETWORK

If your application is successful, along with the funding amount, your project will also receive support and creative oversight from a BFI NETWORK Talent Executive in the region where your director lives.

As well as working with you before and during production, the Talent Executives may be able to advise funded filmmakers on:

  • finding screening opportunities regionally and further afield
  • ways to meet potential collaborators for your project
  • festival strategy for your project
  • other means to gain industry exposure for your work

How to apply

Applications are open from Tuesday 12 March 2024 to Thursday 9 May 2024.

You need to read the funding guidelines before you apply. The application link is included in the guidelines. For more information on funding you can apply for and what support the BFI NETWORK provide, read the FAQs. If you have any questions relating to this funding or your application, you can email bfinetworkfunding@bfi.org.uk.

Audio guidelines

You can also listen to an audio version of the guidelines on Soundcloud.

Finding collaborators for your projects

If you are looking for a writer, director or producer to work with on your project, you can get in touch with your local BFI NETWORK team to see if they have any upcoming networking events.

Get help with your application

BFI NETWORK are committed to making their funding accessible to all. If you have access requirements and need some support applying for funding, see access support for BFI funding applicants.

Alternative formats to introduce BFI NETWORK Short Film Funding

The resources below will give you a summary of information about the fund. They do not supersede the main funding guidelines. If you want to apply for BFI NETWORK England Short Film Funding, you must read the full guidelines.

The British sign language introduction can be found here. The easy read introduction can be found here.

 

For more industry information, visit Film Birmingham’s news page. Or add us on InstagramTwitter or Facebook.

Time + Space Award

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Time + Space Award

Do you have a world-changing idea? If you’re aged 16–25, the National Trust want to hear your big idea and give you the chance to bring it to life at Sir Isaac Newton’s home, where he discovered gravity.

Many great people have shaped the world we know today. Isaac Newton made discoveries in the fields of calculus and gravity, Beatrix Potter shared her passion for nature with stories such as Peter Rabbit and Paul McCartney made music with three other teenagers who went on to become The Beatles. These people, along with many others, lived in or loved the places that the National Trust now look after.

They all lived in separate eras and had individual passions, but one thing they had in common was that each of them had the time and space when they were young to explore their work and make things happen.

What is the Time + Space Award?

The Time + Space Award has been inspired by what Newton called his ‘year of wonders’. At the age of 23, Newton was forced to leave university and return home to Woolsthorpe Manor in Lincolnshire, a farmhouse the National Trust care for, because of a pandemic in 1666. He used this time to explore his ideas on calculus, optics and the laws of motion and gravity.

This award will give you the time, space and opportunity to explore your big idea in one of four areas – science, art and culture, society and nature and climate. A panel of experts from the fields of science, creativity and culture will help you develop your idea and bring it to life.

Read more about the award here.

The prize

If you’re chosen, you’ll win an award up to the equivalent value of £5,000, which will be a bespoke package including:

  • A private guided tour of Woolsthorpe Manor with members of the Woolsthorpe team and time to work on your big idea here
  • The opportunity to showcase your big idea at Woolsthorpe Manor
  • Tools and resources to help with your idea
  • Meet the judge who’s an expert in your subject area either in person or virtually
  • The opportunity to work with an expert from the National Trust on your idea
  • Dedicated mentoring time around your big idea
  • A one-year free entry pass to National Trust places
  • A book bundle featuring one book from each of the judges
  • The National Trust will cover all your travel and accommodation costs and out-of-pocket expenses. They’ll also pay costs to support childcare, caring duties and loss of working hours.

If you submit a valid application for the Time + Space Award, you’ll get a free National Trust day pass for two visitors to use at any of the participating places in the National Trust’s care.

How to enter

To enter, you’ll need to fill out an online form and answer one of the following four questions:

  • How can science be more accessible and relevant to everyone?
  • Access to art and culture isn’t equal. How can your big idea address the imbalance?
  • What’s your big idea that would change society for the better, for everyone?
  • Nature and climate are in crisis. How can your big idea save them and help us break out of the echo chamber?

You can answer your chosen question as a written response between 200 and 2,000 words, a link to a video between 30 seconds and 10 minutes, or a link to an audio file between 30 seconds and 10 minutes.

The competition opens on 10 January and closes on 30 April 2024 and is open to anyone aged 16–25 living in the UK. If you’re under 18, you’ll need permission from a legal parent, guardian or carer to apply.

The judges, including Dame Dr Maggie Aderin-Pocock, David Olusoga OBE, Tayshan Hayden-Smith and Megan McCubbin, alongside National Trust representatives, will review your entry. Together, they’ll select four winners.

Full terms and conditions apply. Submit your application here.

You can apply between 00:01 on 10 January 2024 and 23:59 on 30 April 2024.

 

For more industry information, visit Film Birmingham’s news page. Or add us on InstagramTwitter or Facebook.

Producing Truth 2024

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Producing Truth: for UK documentary feature producers

This programme is for documentary feature producers based in Northern Ireland, Wales, Scotland and the English Regions outside of London. 

This programme is specifically focused on building core production and business skills, confidence and a support network for independent producers working on documentaries outside of commercial structures, unscripted or factual TV formats. Participating producers will benefit from a programme tailored to the distinct challenges of developing, funding and distributing independent nonfiction cinema today.

This inclusive programme will follow the producing journey from project inception through to exhibition. Independent documentary involves creative and business risk taking, and strategic planning centred on relationship building. Producers need tools to create the environment for powerful stories and subjects to thrive and to help them manage the unpredictable nature of producing in this field.

This programme is supported by the ScreenSkills Film Skills Fund with contributions from UK film productions.

Who it’s for

Open to up to twelve mid-level producers based in Wales, Scotland, Northern Ireland, and English regions outside of London. The training will be delivered by a consortium of industry leading partners who have specific awareness of local context and networks, independent documentary filmmaking, as well a track record in talent development, training and outreach initiatives.

The outcome of the programme will be to offer real career progression for ‘experienced’ mid-level producers (Completed at minimum one feature length film as the lead Producer) to update their knowledge on production practicalities, gain insights into current distribution and marketplace, guidance and strategies for sustaining livelihood and resilience, and to broaden their professional networks.

ScreenSills offer inclusive training. If you have any needs which they can accommodate during the recruitment process and beyond, please let them know and they will be happy to work with you to meet them.

What it covers

This hybrid programme will include seven online sessions and case studies delivered by field leaders and will culminate in exposure to a professional market where the learnings can be applied. In-depth online sessions and case studies will be delivered as a 2.5hr session on a weekly basis from the 13th May to the 1st July 2024. Additionally the participating producers will attend Docs Ireland market on June 21st, and 22nd 2024.

Course overview:

Sessions will be dedicated to specific fields of the documentary producer skillset, including:

  • business and legals: finance, budgeting and funding
  • international co-production
  • collaborative storytelling
  • producer wellbeing and resilience
  • markets and distribution

The final session, delivered after their in-person attendance at a documentary film market will offer a space for reflection, and guidance for next steps in career development. The programme will be delivered by BFI Doc Society Fund, Docs Ireland, Scottish Documentary Institute, and Screen Alliance Wales.

How to apply

Please click ‘apply now’ on the ScreenSkills website to submit your application. You will need to be logged into your ScreenSkills account to submit your application. The deadline for applications is 22 March 2024.

Screenskills is also supporting ‘BIFA Springboard: Producers’ for fiction producers who are currently working on their second feature film. If you are interested in applying, you can find the course page here.

Contact information

Email: sanne@docsociety.org

 

For more industry information, visit Film Birmingham’s news page. Or add us on InstagramTwitter or Facebook.

Duly Noted 2024

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Duly Noted 2024

Eleven Film launched Duly Noted 2021 (DN21) as a training programme for people in comedy and drama development. The workshops were designed to skill up aspiring script editors, arming them with a practical understanding of production and a support network.

The launch exceeded their expectations, with more than 200 applications. Eventually they selected five promising, talented, and kind individuals: Andin Ngwa, Amir Amirsolimani, David Cheung, Marissa Ogbeide, and Uju Enendu.

Then, for Duly Noted 2022 (DN22) Eleven Film had a better understanding of the range of exclusion in scripted television. It is mountainous. It’s entirely intersectional. They decided that approaching it singularly reinforces barriers. As a result, DN22 invited applications from all people from historically excluded groups; this included aspiring script editors who identified as Deaf, disabled, neurodivergent, LGBTQ+ and from lower socio economic and/or ethnically diverse backgrounds. Eleven Film selected a skilled, bright and brilliant final cohort: Andrea Royer, Annie Lockhart, Jon Champion, Lily Shahmoon, Mpona Lebajoa, and Zak Abby.

Last year, Duly Noted 2023 (DN23), after reflecting on their DN cohorts so far, they had a specific focus on increasing the representation of participants from all over the UK! Eleven Film considered the formula of the scheme, injecting funding into regional and national placements, and increasing opportunities for people outside of London. In 2023, they saw the profound impact of targeting the regions and the nations of the UK, and investing in work across happening there. It lead Eleven Film to their wonderful, thoughtful, and hard working, final cohort: Anna Wallace, Asia Goldie, Caitlin Rawlings, Ellie Drewry, Jack Casey, Mark Allen, Nkechinyere Nwobani-Akwanwo, Pasha Tong, and Tamar Saphra.

This year, Eleven Film plan to continue delivering wholly inclusive training with the support of the BBC and Sony Pictures Television, with additional support from Screen Scotland. They’re excited to collaborate so closely with partners who share a passion for changing the landscape. Their joint ambition is to scale up and skill up this year’s cohort building off of the last three years’ progress and combining what they’ve learnt across the history of the scheme.

How does it work?

The Duly Noted scheme consists of a fully-funded week long bootcamp training in a fully accessible venue, in Central London, which will prepare the cohort for on-the-ground placements in production which will follow the workshop stage, and will be based all over the UK.

The training will take place in the spring, prior to a production-based Assistant Script Editor placement for each member of the scheme, earning the DN24 cohort what is likely to be their first broadcast credits. The placements will span a ten to twelve-week period in the summer of 2024. The roles will vary depending on demands of the production, while taking into account participant experience, location and requirements. Placements will be facilitated by the BBC and Sony, and will be in partnership with well-established producers who share their ethos of inclusion and change.

Mentorship

Eleven Film will continue to facilitate a feedback loop between the participants of DN21 and DN22 and this year’s final cohort. Some members of the DN21, DN22, and DN23 cohort will return to facilitate and mentor the participants in this year’s group.

They feel it’s important to not only train up and pay the knowledge forward, but also vital that they nourish and sustain a network of emerging editorial brains who’ll likely be the leaders of our industry tomorrow.

Who can apply?

As always applications are open to all people. Eleven Film highly encourage applications from historically excluded groups; this includes aspiring script editors who are Deaf, disabled, neurodivergent, LGBTQ+ and from lower socio economic and/or ethnically diverse backgrounds. Eleven Film invite applications from across the UK. Ideal candidates will have a track record focused on editorial. They’re looking for individuals with script reading and script development experience (or transferrable skills) under their belts. However, they very much welcome applications from people who’re looking to crossover from other TV or Film production roles.

Is it paid?

To support costs of travel, accommodation and equipment hire, Duly Noted is offered as a paid training opportunity. Participants are compensated for their time during the workshop series and throughout their production role as Assistant Script Editors.

How to apply?

The submissions window opens on Tuesday 5th March.

Applicants will need to email Eleven Film at dulynoted@elevenfilm.com, sending their current CV as PDF, along with a PDF responding to the following provocations:

  1. In what ways do you feel that TV storytelling and the broader industry would benefit from the inclusion of individuals like yourself and the perspective of your community?
  2. What does script editing mean to you – why are scripts and story your chosen path?
  3. Tell Eleven Film about a show you love and why.
  4. Tell Eleven Film about a show you didn’t get along with and why.
  5. Which show would you love to have script edited and why?
  6. Tell Eleven Film why you would benefit from participating in the Duly Noted scheme, specifically.
  7. Where are you currently based and where do you consider ‘home’?
  8. Feel free to let Eleven Film know here if you have any access requirements ahead of a video call interview.

Applications must be submitted by 10AM (GMT) on Friday 22nd March to be considered for Duly Noted 2024.

 

For more industry information, visit Film Birmingham’s news page. Or add us on InstagramTwitter or Facebook.

Made of Truth: BFI Doc Society Short Film Fund 2024

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Made of Truth: BFI Doc Society Short Film Fund 2024

The Made of Truth: BFI Doc Society Short Film Fund invites emerging storytellers from across all parts of the UK to share original and adventurous non-fiction stories that respond to the changing world around us.

Since 2018, the Made of Truth: BFI Doc Society Short Film Fund (“Made of Truth”) has proudly supported 61 original, short documentaries. They’re delighted to open for a new round of funding and to discover new voices from across the UK over the next 3 years.

What the fund can support

Made of Truth is part of BFI NETWORK and uses National Lottery funds to support all forms of short form non-fiction, including personal stories, hybrid work, artist films, essays, observational and social issue projects. The fund also considers VR and immersive projects whichare firmly rooted in non-fiction.

The fund can support up to 15 individual short documentaries each year with a maximum of £25,000 of grant funding. Films can be between 5-40 minutes in length.

They’re interested in new, cinematic and boundary-pushing ideas and encourage applications for projects that take creative leaps and filmmaking that takes risks on talent, form and content. The fund recognises the quality of difference in perspective, the importance of who is telling the story and strong collaborations.

Who can apply?

They’re looking for emerging creatives who are yet to make a non-fiction feature film (that has had professional distribution.) You may have a track record in another form or genre and are keen to make a short that helps develop your talent on the path to long-form documentary feature filmmaking, or you may have made a doc short or two already.

Made of Truth supports projects with directors based in the UK. This nation-wide programme endeavours to help more voices in more places contribute to distinctive, original storytelling. They can only fund applicants who are over the age of 18, and who are not in full-time education.

Made of Truth: BFI Doc Society Fund is committed to supporting a diverse community of filmmakers and working with creatives from underserved backgrounds including Ethnically diverse, Disabled, LGBTQIA+, Working class and non-filmmaking talent. They would like to hear from new storytellers from around the country and all communities and are especially keen to increase the number of projects originating outside London and from Northern Ireland, Scotland and Wales.

They strongly encourage Filmmakers to team up with a producer before applying, however you do not need a producer to apply as they can facilitate partnerships with producers for successful applicants.

Successful projects will receive creative and mentorship support from the BFI Doc Society team, and relevant industry partners.

How to apply

  1. Read the Before You Apply Checklist and comprehensive fund guidelines.
  2. Complete your application on apply.docsociety.org
  3. Applications close Mon. 15th Apr 2024 (12:00 BST)

Access support

BFI Doc Society is committed to making its funding accessible to all. TAPE Community Film and Music will be providing individually tailored support for applicants with access needs. Find all the details on what support you can receive and how to get the help required to make an application in this DOC document.

The Easy Read Introduction is a summary of information and does not supersede the main funding guidelines. If you want to apply for the Made of Truth: BFI Doc Society Short Film Fund you must read the full guidelines. Easy Read introduction to the Made of Truth: BFI Doc Society Short Film Fund (PDF) (DOC). You can listen to an audio version of the fund guidelines on Soundcloud.

Documents are provided in PDF and word format on the BFI Doc Society website for access purposes and are for preview only. All applications needs to be filled in on the application portal via your account. The preview documents include Fund Guidelines, Application Form Preview, Fund Q&As, Budget Template, and BFI Diversity Standards Form.

If you have any questions, please read the fund guidelines and the fund FAQ’s which aim to address questions asked regularly by applicants. You can also email on hello@docsociety.org, Watch the Made of Truth webinar here, or register here for a 1-2-1 advice session with the BFI Doc Society Fund team.

 

For more industry information, visit Film Birmingham’s news page. Or add us on InstagramTwitter or Facebook.

The Listening Pitch 2024

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Aesthetica X Audible: The Listening Pitch

What Can We Hear if We Listen Right Now?

In a world that’s never been louder, this year’s Listening Pitch challenges filmmakers to find extraordinary narratives that reflect the world around us. They can be personal or universal, and this year’s theme takes notice of global stories and human connection. They are looking for films that bring life to unheard voices, which resonate with audiences on a deep, emotional level. If you’re driven by the desire to tell powerful, evocative stories, this is your chance. They encourage filmmakers from all walks of life to share their unique perspective on the theme. Challenge the conventional, experiment with your craft and redefine what it means to truly listen.

How it works

  • Five filmmakers will be selected to present their idea at a live virtual pitch in May 2024.
  • A panel will review the pitches and a grant of £20k will be awarded to the filmmaker with the strongest idea.
  • The final film will be original and offer a new perspective on the theme.
  • It will premiere at the ASFF in November 2024 and also be shared on Audible and Aesthetica social channels.
  • Filmmakers from across the world are invited to apply for this grant.
  • They will also require the film to have subtitles available to meet accessibility requirements. Please supply two versions: one burnt on and one without.
  • They welcome submissions from first-time filmmakers and those underrepresented in the industry.
  • This is a documentary film grant only.

Key dates

  • 21 February – 21 April 2024: Call for Entries
  • 21 April 2024: Deadline
  • April-May 2024: Judging
  • 1 May: Shortlist Announcement
  • 9 May 2024: Live Pitch
  • Summer 2024: Winner Announced
  • ASFF Premiere and Live Q&A: Between 6-10 November 2024

Apply now

You can submit your documentary pitch using the online form here. To watch the previous winners documentaries, visit the Aesthetica website here.

In your application you will be asked for:

  • Working Title
  • Proposed Length of Film (Pitches should be for films up to 30 minutes)
  • Logline
  • Plot Summary
  • Summary of Your Filming Methodology

 

For more industry information, visit Film Birmingham’s news page. Or add us on InstagramTwitter or Facebook.

Skills Bootcamps in Film Production

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Skills Bootcamps in Film Production

Skills Bootcamps are Creative Alliance’s free, flexible courses of up to 8 weeks, giving you the opportunity to build up sector-specific skills and fast-track to an interview with an employer.

This is an 8-week course that will be a mix of online and in-person training. It is aimed at people seriously looking to work in this industry as part of the course is focussed on building up your showreel, a professional profile and applying for jobs. Each applicant will create their own film for a professional company that will provide a brief. You will also attend a presentation and interview with the company to present your film. See the full brochure here.

You will learn

In this Skills Bootcamp you will not only learn how to make a film but also how to operate in the industry, what roles there in the sector and how it functions. You will also learn how to build up your showreel and present yourself to the industry in a professional manner to give you the best chance to get a job. 

  • How to use cameras and professional framing of shots 
  • How to operate sound equipment and understand the best way to capture different sounds 
  • How a production in film works and what pre production is needed 
  • How to edit with professional software and create a narrative. 
  • To learn about the industry and how the sector operates.

Course Structure:

  • 85 hours’ worth of live online and classroom sessions.
  • 8 week course – with two-six sessions a week – 10.00am to 1.00pm – 2.00pm to 5.00pm.
  • 3 hour sessions delivered by digital professionals who work in the sector.
  • Full schedule 29th April – 18th June.
  • Special sessions delivered by employers, recruitment experts and Business Owners.

Who can do it?

  • You are looking to get the skills to start your career in Filmmaking: This Skills Bootcamp course was developed alongside employers, and guarantees an interview with an employer looking for talent.
  • You are looking to upskill and develop your position in your job or freelance career.
  • You are to make a start in the Film & TV industry.

Eligibility and Costs

  • You need to be 19 or over and NOT in full time education.
  • You are based within the West Midlands.
  • You have a right to work in the UK.
  • You are looking to start or change your career and looking for employment, or new clients if you are a freelancer.
  • You have the time availability to commit to the course schedule.
  • These courses are fully funded.

The Application Process

  • Register your interest – Go to the Creative Alliance website and click on the “Apply” button. You will be updated when applications are open.
  • Fill Application Form – You will receive an email from Creative Alliance, which will have a link to the application form that you must fill and submit. Please, remember to check your spam folder as well.
  • Screening Call – A member of the Creative Alliance team will contact you to review eligibility criteria. Once all applications have been reviewed you will be informed if you application was successful around one week before the start of the course.

 

For more industry information, visit Film Birmingham’s news page. Or add us on InstagramTwitter or Facebook.