February 2020

Stratford will be thrust into the television limelight once again on February 3rd as the BBC drama Shakespeare and Hathaway returns for its third series. The series is produced by BBC Studios in Birmingham.

The hit day time drama stars Jo Joyner and Mark Benton in the lead roles and Stratford residents will no doubt recognise many of the settings in the show, which in this series even includes the Herald offices. Series three will feature comic mysteries and dodgy dealings as private investigator Frank Hathaway and sidekick Luella Shakespeare (Jo Joyner) hunt down clues, solve crimes and fend off a ruthless killer.

A stellar line-up of actors including Jim Moir (AKA Vic Reeves), Ted Robbins, Josette Simon, David Schofield, Roberta Taylor, Madhav Sharma, Josie Lawrence, Tamzin Outhwaite and many more have been recruited as special guests.

Shakespeare and Hathaway is now one of the longest running series on BBC daytime, with the second series attracting an average of 1.3million viewers on BBC One. Eagle-eyed residents may have spotted production crews around the town prior to Christmas with cameras seen at locations on Rother Street and Meer Street in Stratford-upon-Avon.

Jo Joyner, said: “Stratford is a very big part of the show, and we’ve really been welcomed by the town. When we made the first series, we would film outside famous buildings, and people would come out and tell us to go away. Now in the third series, people bring us cups of tea and cake.

“Attitudes have really changed. We can be a disturbance, bring lots of white trucks and get in the way. People are always surprised by how many people there are in a film crew. But the locals in Stratford really look after us. One restaurant 4 gave us eight huge pizzas because they had watched us filming for hours in the cold and took pity on us.”

Mark Benton added: “We include quotes from Shakespeare and some episodes are loosely based on his plays. This year we have a version of King Lear set in a carpet warehouse. I love those wonderfully wacky ideas, and the fact that people can watch the show on two levels. You can enjoy the Shakespeare references, as well as the whodunnit. That keeps everybody interested. It’s great.

“There’s always such a great atmosphere on set – there is no division between cast and crew. We’re all pulling together and working towards the same end. We give it a hundred percent as if it were a blockbuster movie because we care so much about it. That makes the show such a joy to work on.”

Speaking about his experience of filming series 3, Jim Moir, said: “It was one of my best acting experiences of last year, working with one of my best friends Mark Benton. And my new friend Jo Joyner.”

Ceri Meyrick, Executive Producer of Shakespeare & Hathaway, said: “I’m delighted with the array of star talent joining as guest characters this year. This series promises much more murder and mayhem, plus a hint at the past lives of both Frank and Lu as we meet Frank’s old nemesis and we find out why Lu really left the hairdressing business.”

Shakespeare and Hathaway starts on Monday (3rd February) on BBC One at 2.15pm, and then every weekday following.

Source: www.stratford-herald.com

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Tony Garnett, who has died aged 83, was a revolutionary force in UK TV and film, producing dramas that would be controversial, dramatically brilliant and – especially with his later work – engaging, entertaining and popular. Amongst his best known works are Up the Junction, Cathy Come Home, The Price of Coal, Days of Hope, Scrubbers, Cardiac Arrest, Between the Lines, Ballykissangel and This Life.

Garnett’s earlier productions were largely social realist, one-off dramas focused on the struggles of ordinary working-class families while his later works were TV series focused on more affluent middle-class professions. In a sense this mirrored his own life as he moved from a challenging Birmingham childhood to the epicentre of London media.

Tony Garnett was born Anthony Edward Lewis in Erdington, Birmingham. In 1941 his mother Ida died of septicaemia after a backstreet abortion and, 12 days later, his father Tom took his own life – the police having made him a suspect in Ida’s death (abortion then being illegal). Anthony was taken in by his uncle and aunt, Pom and Harold Garnett and in his late teens he would take his uncle’s surname.

Excelling at grammar school and acting in amateur dramatic groups. Studying psychology in London he continued to act and, in 1960, was spotted by a BBC producer. This lead to Garnett becoming a professional actor and he appeared in everything from Z Cars through BBC television plays to the 1962 film The Boys.

Sensing that he wanted a career in drama but not as an actor, Garnett became an assistant story editor for the BBC in 1965 and it was in this role that he came to work on Up the Junction, a story of factory girls in Battersea that featured an illegal abortion. Directed by Ken Loach, Garnett helped ensure the drama got made by slotting its production to begin while the Wednesday Play’s producer was on holiday.

Loach liked the insouciant, determined Brummie and, after the huge uproar (from Mary Whitehouse and the conservative press) over Up the Junction, they made Cathy Come Home (1966) with Garnett producer. This piece, about a young, working-class family made homeless, stands today as one of the most radical TV plays ever made, one whose themes resonated strongly with the public.

Garnett, whose wife had been diagnosed with schizophrenia and suffered awfully due to electroshock treatment, produced the 1967 drama In Two Minds (featuring the radical psychiatrist RD Laing) for the BBC with Loach directing (the two remade In Two Minds as a feature film, Family Life, in 1971). Garnett was producer of Kes, Loach’s acclaimed 1969 feature film debut about a disaffected Yorkshire schoolboy and his kestrel.

Across the 1970s Garnett produced powerful, intelligent, social realist drama for the BBC. These included Days of Hope (1975), focusing on the years leading up to the general strike in 1926, The Price of Coal (1977), a preview of sorts of the forthcoming miners’ strike, and The Spongers (1978), a brilliantly provocative drama about a young mother desperate to receive benefits while the Queen’s silver jubilee was under way. Garnett wrote and directed Prostitute (1980) and Handgun (1983), but neither film matched his best work. He spent most of the 1980s bereft in Los Angeles as a movie producer.

By 1990 he was back in London and running World Productions. The US had led to him developing a taste for producing glossy, feel good dramas: Cardiac Arrest, Ballykissangel and This Life were very popular and demonstrated he hadn’t lost his touch for engaging, intelligent drama.

Having largely retired from producing, Garnett focused on lecturing, family and Aston Villa FC, his passion for the club being so fierce he jokingly threatened to disown his children if they supported Birmingham City FC.

Ken Loach told Radio 4’s Today programme that Garnett “understood the basic conflict at the heart of society, between those with power who exploit and those who are exploited. He was a brilliant, complex man, intensely loyal and generous-spirited.”

He was married twice, to Topsy Jane Legge and Alex Ouroussoff, and is survived by his partner, Victoria Childs, and two sons.

Tony Garnett, producer and director, born 3 April 1936, died 12 January 2020

Source: www.independent.co.uk

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