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TV Production Bootcamp connecting West Midlands creative talent to jobs

By Training No Comments

Create Central has come together with West Midlands Combined Authority (WMCA) and Solihull College to develop a fantastic opportunity for those who want a career in the TV industry. And what’s more it’s free for those who meet the person criteria and live in a WMCA postcode.

They’re inviting you – the creative talent from across the West Midlands – to join this innovative new bootcamp where you’ll have the opportunity to learn the skills to become a production co-ordinator,  researcher or runner. The bootcamp has been designed in partnership with the local professional production community and will include immersive learning through industry set briefs, masterclasses and career development to support a successful career as a television freelancer.

The bootcamp is a month-long programme followed by a two-week work placement in one of the region’s top TV companies. It is focused on nurturing people from a diverse range of backgrounds who have the drive and commitment to succeed in the TV or film industry. Members of Create Central who work in the TV sector have helped to shape the Bootcamp content and are offering real-life work experience for existing gaps in their businesses, with a guaranteed job interview at the end.

If you’d like to find out more about these roles and how they fit into a career in TV production this careers map from ScreenSkills shows the different editorial and production roles in the industry. It explains the relationship between the different departments and how to get into entry-level roles.

Andy Street, the Mayor of the West Midlands, said: “In the heart of the UK and the home of TV and film hits like Peaky Blinders, Man Like Mobeen, Gadget Show, Great British Menu and Small Axe, our creative sector offers a variety of rewarding careers for local people. Even in these difficult times when many people have sadly fallen out of work due to the coronavirus pandemic, there are opportunities for residents to retrain for a new career in the TV sector.”

The closing date for applications is midnight on 3 January 2021.

Find out more and apply.

 

Source: www.solihull.ac.uk and www.createcentraluk.com

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Find Industry Opportunities with ScreenSkills

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ScreenSkills is the industry-led skills body for the screen industries – film, television (including children’s, unscripted and high-end), VFX (visual effects), animation and games.  

They are supporting economic recovery and future innovation and growth across the whole of the UK by investing in the skilled and inclusive workforce who are critical to the global success of the  screen sector. For the latest training, including free online learning on issues including COVID-19 and addressing bullying and harassment, visit their Opportunities directory. You can find more resources, including masterclasses and the stories of others who have benefited from training, bursaries and mentoring, on the Resources pages.

ScreenSkills is funded by industry contributions to our Skills Funds and with National Lottery funds awarded by the BFI as part of its Future Film Skills strategy to help people get into the industry and progress within it.

Visit the ScreenSkills Opportunities directory

British Indian Immigrant Feature ‘Footprints on Water’ to begin filming in Birmingham

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Principal photography will commence at locations in and around Birmingham in December for upcoming feature “Footprints on Water.”. Indian thespian Adil Hussain (“Star Trek: Discovery, “Life of Pi”) and British actor Antonio Aakeel (“Eaten By Lions,” “Tomb Raider”) will headline the British Indian film.

Written by Neetha Syam (“Thaara”) and to be directed by Nathalia Syam, “Footprints on Water” will tell the story of an illegal immigrant father in the U.K. who is frantically searching for his missing daughter while trying to avoid the police radar. Through this search, the film will portray the lives of immigrants of various nationalities who arrive in the U.K. hoping to turn their lives around.

Hussain will play the father, and Indian actor Lena Kumar (“Anveshanam”) will portray his wife, who is the missing girl’s stepmother. Another Indian actor, Nimisha Sajayan, who was the lead in 2019 Venice Film Festival title “Shadow of Water,” will play the daughter. Aakeel plays the role of an Afghani refugee.

The film is produced by Mohaan Nadaar’s London-based outfit The Production Headquarters, whose credits include several U.K.-India features, including the upcoming, Scotland-shot “Rat on a Highway” featuring Bollywood star Randeep Hooda (“A Suitable Boy,” “Extraction”).

“This story is written by two sisters and it feels like its their first-hand experience that they have painted in words,” Hussain told Variety. “I trust that they will be able to transform words into intense and moving visuals. I feel the truthfulness in their endeavor. The dreams, the hope, demolition of the dreams, the realization as to what are the most important aspects in life, are very engagingly interwoven in the narrative. As immigrants of Indian origin brought up in Britain, we’ve had a ringside view into the lives of various people, their cultures and ethnicities,” Nathalia Syam told Variety. “Neetha’s script will be visually approached by elements of realism. Through the plot of an illegal immigrant father’s search for his missing daughter, we raise the question of what happens, when the invisibles go missing.”

 

Source: variety.com

BFI Film Academy Labs present training opportunities for 16-25-year-olds

By Training No Comments

Interested in career opportunities within regional production companies?

BFI Film Academy Labs are designed to support 16-25-year-old aspiring filmmakers and help you develop your skills and projects from home. Following on from our November Lab, which explored the various national and regional talent programmes for the UK’s emerging filmmakers, our December Lab will focus on early-career production opportunities available outside London.The Zoom Webinar will spotlight regional production companies that provide paid traineeships and job opportunities for new talent in TV, feature film and commercials. Panelists will outline some of the most exciting productions currently taking place outside the London bubble, give you a taster of what it’s like to work in entry-level production roles and discuss how you can best progress within a production company.

Following the panel discussion, there will be a virtual networking session, where you will have an opportunity to connect with other regional filmmakers, hear about each other’s projects and challenges encountered working outside of London, and discuss how to better engage with local resources. The event will run from 2:30pm – 4:30pm. Tickets are strictly limited! Register for networking here.

PANELLISTS

  • Glyn Middleton: Head of Skills, Screen Yorkshire (True North Co-Founder)
  • Rachel Robey: Co-Founder, Wellington Films
  • Rhys Bebb: Education and Training Officer, Screen Alliance Wales (Bad Wolf TV)
  • Soph Webberley: Regional Development Assistant, Warp Films

Host: Abena Taylor-Smith

Glynn Middleton

Glyn began his career making documentaries for ITV’s award-winning flagship First Tuesday series. He went onto to produce and direct a range of documentaries for ITV, the BBC, Channel 4, Channel 5 and the Discovery Channel, among others. In 2001 he co-founded the Leeds-based indie, True North, and helped to turn a start-up indie into the UK’s biggest factual producer outside of London. He developed and executive-produced countless series for the BBC, ITV, Channel 5 and National Geographic Channel.

He joined Screen Yorkshire as Head of Skills in March 2020. He manages a number of skills and training programmes, such as Connected Campus, Beyond Brontes and the Centre of Screen Excellence: Yorkshire and his core aim is to develop a talented, versatile and diverse workforce for the region’s TV and Film indies and producers.

Rachel Robey

Rachel Robey is Senior Producer and co-founder of the multi-award winning Wellington Films, based in Nottingham. Their feature productions include the BAFTA-nominated ‘London to Brighton’ in 2006 (awarded Best Achievement in Production at the British Independent Film Awards), BAFTA Scotland-winning ‘The Levelling’ and Netflix Original ‘Calibre’, which was nominated for a record-breaking five BAFTA Scotland Awards and won the Edinburgh International Film Festival Michael Powell Award. Their latest production is the interactive film “As Dead As It Gets” by Simon Ellis, for global platform Whatifi.

Rhys Bebb

Rhys Bebb began his career in teaching, using film as a tool to teach narrative structure to primary pupils who found more conventional media less accessible. He worked as the Media and Education Officer at Keep Wales Tidy on their Eco-Schools initiative, and then with the educational charity Into Film. Since March this year, Rhys has been the Education and Training Officer at Screen Alliance Wales. Working out of the unique classroom at Bad Wolf TV, Rhys works to places trainees and work placements at the studio and other facilities, as well as working in schools and colleges to inspire the next generation of young filmmakers.

Soph Webberley

Soph Webberley is a Regional Development Assistant at Warp Films and a Writer/Director in her spare time. Soph first joined the Warp Films Sheffield office in 2018 as in-house runner through the ScreenSkills High-end TV Skills Fund. Her role as a Regional Development Assistant is to find exciting stories and new talent in the regions, with the focus on diversity in all its forms. Soph has most recently been working on the screen adaptation of Everybody’s Talking About Jamie.

Host: Abena Taylor-Smith

Abena is a multi-award-winning writer-director with experience working on funded short films for Sky Arts, Creative England, Disney UK and the NFTS. Her 2018 short film, Ladies Day, has screened at over 50 festivals internationally including Outfest, Encounters, Black Star and Raindance. She is a BFI Flare Mentee and an alumnus of the NFTS Directors Workshop 2019. She is an alumnus of the BFI/ Film Hub North Screenwriters Lab, through which she is developing her next project. Alongside BFI Network and The Showroom Cinema she has curated a programme of short films by rising Black British filmmakers called New Black Voices and is a public speaker at corporate events, previous clients include Facebook, McKinsey, Outfest, the British Council and the British Embassy (Berlin).

PANEL DISCUSSION

Sat, 5 December 2020

12:30pm – 1:45pm BST

Register for this event.

VIRTUAL NETWORKING

Sat, 5 December 2020

2:30pm – 4:30pm BST

Register for this event .

We’ll be breaking attendees into small groups to facilitate the networking. Groups will be shuffled multiple times to ensure maximum networking opportunities.

Please note: The BFI Film Academy Labs events are for 16-25 year olds.

ABOUT BFI FILM ACADEMY LABS

2021 BFI Film Academy Labs dates will be announced soon! Keep up to date on all the BFI Film Academy Labs 2021 activity.

Sign up to the Film Academy newsletter by emailing filmacademy@bfi.org.uk

 

Please note: this session will be recorded and event footage may be used on the BFI website and social platforms.

 

Source: eventbrite.co.uk

BFI NETWORK Short Film Fund – Deadline November 30th

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This BFI Network short film funding programme supports fiction projects with directors based in England and is run in partnership with the BFI NETWORK Talent Executives who work with filmmakers on the delivery of funded projects. For directors based outside England or for filmmakers looking for documentary funding opportunities, please see our Funding Finder.

This fund supports the production costs of fiction shorts, in both live action and animation. BFI Network wants to support short films that respond to our core objectives which are to support:

  • The early careers of ambitious filmmakers;
  • Filmmaking that takes risks on talent, form and content;
  • Work that recognises the quality of difference – in perspective, in talent, in recruitment;
  • Work with cultural relevance or progressive ideas;
  • Work from filmmakers based throughout the nation, not just in traditional industry centres.

BFI Network supports standalone short films and this can include projects that have the potential, further down the line, to be developed into other forms or formats (e.g. a feature film, content in serial form). The fund is intended to stimulate new ideas and stories, so it doesn’t support adaptations of existing material. We welcome applications for amounts throughout the available budget range up to a maximum of £15,000. We are seeking applications for films of any length up to a maximum of 15 minutes.

BFI Network funding is accompanied by creative oversight of the short film by a BFI NETWORK Talent Executive. As well as working with filmmakers prior to and during production, the Talent Executives may be able to advise you on:

  • finding screening opportunities regionally and further afield;
  • ways to meet potential collaborators for your project;
  • festival strategy for your film;
  • other means to gain industry exposure for your work.

APPLICATION TIMELINES

Changes are being made to the way that we manage and assess applications to the Short Film fund in England. From October 2020 onwards the fund will open for two six-week application windows in the Spring and Autumn of each year. From 2021 onwards we will publish the application dates six months in advance so that filmmakers can plan their applications, polish their draft scripts and find collaborators in good time.

The dates for the next two application windows are as follows:

Autumn 2020

Applications OpenMonday 19 October 2020 12PM
Applications CloseMonday 30 November 2020 12PM
Final Funding Decisions MadeBy end of March

Spring 2021

Applications Openw/c 26 April 2021
Applications CloseMonday 7 June 2021
Final Funding Decisions MadeBy end of September 2021

BFI reserves the right to amend any of these dates where necessary.

GUIDELINES

Please read the full funding guidelines before you complete the application form.

READ GUIDELINES

AUDIO GUIDELINES

The Short Film Fund audio guidelines are in the process of being updated, please check back soon for the revised guidelines.

APPLYING

Before you proceed to the application form via the link below you will be asked to create an account. Following submission of the application to the BFI, applicants will be sent a unique application reference number for their records.

If you have already submitted an application and would like to review it at any point, you can log into your account here.

You will need to submit a budget for your short film using our budget template which you can download here.

Preview the BFI NETWORK Short Film Fund application here.

APPLY NOW

ASSISTANCE DURING THE APPLICATION PROCESS

We can provide assistance to applicants who are D/deaf, hard-of-hearing, Disabled or neurodiverse people, and people with sight loss, where this support is needed in order for someone to make an application to the Film Fund. Visit Access support for BFI Film Fund applicants for information.

FINDING COLLABORATORS FOR YOUR PROJECT

If you are looking a writer, director or producer to work with on your project, click here for some ideas on how to do this.

 

 

Source: filmhubmidlands.org

 

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Global Screen Fund launched to replace Creative Europe MEDIA

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The British government has formally announced the creation of a Global Screen Fund aimed at partially replacing Creative Europe’s MEDIA funding following the completion of the Brexit transition period at the end of the year. The $9.4 million fund was confirmed as part of a major spending review setting out Britain’s post-Brexit economic plans as it deals with the COVID-19 pandemic.

As part of a major spending review on Wednesday, which set out plans for the British economy post-Brexit as it deals with the impact of the COVID-19 pandemic, chancellor Rishi Sunak confirmed an initial pot of £7 million ($9.4 million) for the Global Screen Fund, which was first proposed over the summer.

In 2018, the U.K. received $14.5 million in MEDIA funding.

The British Film Institute, which has been calling for $22.8 million, highlighting how MEDIA funding has aided both U.K. exhibition and distribution and British films in Europe for more than a decade, is set to administer the fund. It argued that the sector would likely shrink by 10 percent, costing up to 1,200 jobs, with no replacement arranged.

“Today’s £7 million for a pilot Global Screen Fund announced as part of the Government’s Spending Review is a positive result for the independent screen sector in what we appreciate is a challenging fiscal climate,” said BFI CEO Ben Roberts. “Given the significant contribution of film, TV and video games to the UK economy and our position in the global market, we welcome this new funding which will enable the industry to further grow international partnerships, build on export opportunities and increase our return on investment.”

Simon Crowe, chair of Film Export U.K., added: “Well-reasoned arguments do not always prevail but, thanks to detailed understanding within BFI and receptiveness at [the culture ministry], the case for this support has been compelling. We were really grateful to see other sectors of the film industry endorse our view that independent films are incubators for the talents of the future. These films need nurturing to develop and to reach audiences around the globe.”

Caroline Norbury, CEO of the Creative Industries Federation, said: “Confirmation of a Global Screen Fund to replace Creative Europe MEDIA is welcome news, but urgent clarity is needed on what will replace Creative Europe Culture and other EU-funded programmes.”

 

Source: www.hollywoodreporter.com

Vaccine programme job opportunities

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University Hospitals Birmingham NHS Foundation Trust (UHB), one of the largest NHS Trusts in the country, is currently recruiting workers for the Covid-19 vaccine programme.

Local people from across Birmingham and Solihull are being sought to take on the job of a lifetime. Birmingham and Solihull has been one of the hardest hit areas in the country, and Covid-19 has had a devastating impact on lives, health and the economy. The UK Government and its medical and scientific advisors have been clear that the only safe and sustainable way out of the Covid-19 pandemic is through a vaccine. The Covid-19 vaccine programme is going to be the single-most important activity we can take part in to restore our health, economy and livelihoods and it is going to require a workforce dedicated to the vaccine programme to help us recover fast in all areas of our lives. As well as seeking people with recent clinical experience to return to practice as vaccinators, those vaccinators will not be able to do their job without an army of non-clinical supporters behind them who will come from all walks of life with differing ranges of skills, but with a common life-saving purpose of recovering our community from this pandemic. We will need, to name but a few:

•         Drivers

•         Administrators

•         First-aiders

•         Coordinators

•         Organisers

•         Care workers

•         Marshalls

•         Logistical movers and handlers.

 

We will be providing full training and induction so a commitment to the programme is the main essential criteria, and from there we will work with individuals to identify where their skills and experience can best be put to use.

 

Duration :                 Mid December  – March 2021

Venues:                    There are planned to be 5 venues ;Millennium Point, Aston Villa Football Club, Edgbaston Cricket Ground, Birmingham Airport and the NEC.

How to Apply:          If you are interested in applying please email the inbox;  covidvaccineworkforce@uhb.nhs.uk  stating the following:

  • The position you are interested in applying for (max of 3),
  • Your preferred venue (max of 3)
  • The hours  per week you would are available and the days that you would be available to work ( vaccination centres will be open 7 days a week for 12 hours per day)
  • Within your expression of interest you need to provide details of the skills and experience you have that would be applicable to the roles you are applying for.
  • Please can you also provide details of how you found out about the vacancy  ( was it through a referral from an organisation you’re working with)

On submission of your email  a member of the recruitment team will then contact you to discuss the information you have provided.

 

Source: www.solihullforsuccess.com

RTS Midlands Television Awards 2020 Nominees

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Here are the nominees for the RTS Midlands Awards 2020. The RTS Midlands will be celebrating the TV and broadcasting industry across the Midlands. Categories include Award for Best Animation, Best Popular Factual Series, Best Drama (sponsored by Film Birmingham) and Best On-Screen Personality. 

The ceremony will be streamed live on Wednesday 25th November. Register here.

 

Acting Performance – Female

Jill Halfpenny

Dark Money
The Forge Entertainment
BBC One

Dúaa Karim

Man Like Mobeen
Tiger Aspect Productions
BBC Three

Bharti Patel

Doctors
BBC Studios
BBC One

Acting Performance – Male

Guz Khan

Man Like Mobeen
Tiger Aspect Productions
BBC Three

Adrian Lewis Morgan

Doctors
BBC Studios
BBC One

Babou Ceesay

Dark Money
The Forge Entertainment
BBC One

Animation

Flesh
Anna Campbell and Rural Media, supported by Arts Council England
BBC Arts, BBC Four and BBC online platforms
Mirakin: The Picture Pixies
The CharacterShop & 3Megos
YouTube
Da Vinci Learning Channel Idents
Second Home Studios
Da Vinci Learning
Roads from the Past
Rural Media
Travellers Times
A Scribbled Memory
BlueBell Films
Online Platforms

Breakthrough (Off Screen)

Talisha ‘Tee Cee’ Johnson

BBC Three
BBC Three

Scarlett Kefford

Script Sirens Presents: #GoingViral
Youtube & IGTV

Bhulla Beghal

BlueBell Films
Online Platforms

Cree-Summer Haughton

ITV News Central
ITV

Luke Collins

Rural Media
BBC

Breakthrough (On Screen)

Oloni

My Mates A Bad Date
BBC Three
BBC Three

Max Fincham

Dark Money
The Forge Entertanment
BBC One

Pablo Taylor

ITV News Central
ITV

Sideman

Strictly Sideman
BBC Three
BBC Three

Dr Angela Moran

A Very British History: Birmingham Irish I Am
BBC Birmingham
BBC One / BBC Four

Craft – Post Production

Affixxius Films

Run – Trent Bridge
Affixxius Films
Online

Chris Polding

Evil Up Close: Kim Edwards & Lewis Markham
FirstLookTV
Crime & Investigation

Editing Team

My Mate’s A Bad Date
BBC Three

Paul Farrer

Red Dwarf – The Promised Land
Baby Cow Productions
DAVE
Da Vinci Learning Channel Idents
Second Home Studios

Digital Creativity

BBC Three Edit Hub

BBC Three
BBC Three
Home Time
BlueBell Films and Multistory
Online Platforms
ITV News Central
ITV News Central
ITV
People Just Do Nothing Watching People Just Do Nothing. Kurupt FM: LIVE
BBC Three
BBC Three
Strictly Sideman
BBC Three
BBC Three

Documentary

A Very British History: Birmingham Irish I Am
BBC England
BBC One / BBC Four
A Very British History: Whatever Happened to the Boat People?
BBC England / Birmingham
BBC One / BBC Four
Cops Like Us
Dragonfly Film & TV
BBC Two
Life & Birth
Dragonfly Film & TV
BBC One
Return to Auschwitz
Vyka
Birmingham Hebrew Congregation

Craft – Production (sponsored by Create Central)

Affixxius Films – Sedbergh School – The Spirit of Sedbergh
Affixxius Films
Online

Bhulla Beghal

Home Time and A Scribbled Memory
BlueBell Films
Online Platforms

Lewis Arnold

Dark Money
The Forge Entertainment
BBC One

Lina Hashweh

BBC Three
BBC Three
Man Like Mobeen
Tiger Aspect Productions
BBC Three

Drama (sponsored by Film Birmingham)

Dark Money
The Forge Entertainment
BBC One
Doctors
BBC Studios
BBC One
Father Brown
BBC Studios
BBC One
Shakespeare and Hathaway – Private Investigators
BBC Studios
BBC One

Factual and Specialist Factual

A Very British History: Birmingham Irish I Am
BBC England
BBC One / BBC Four
Cops Like Us
Dragonfly Film & TV
BBC Two
GPs Behind Closed Doors
Knickerbockerglory TV
Channel 5
Soul Boy
BBC East Midlands
BBC One
The Lady Killers
FirstLookTV
Quest Red

Factual Entertainment / Popular Factual Series

Canal Boat Diaries
BBC East Midlands
BBC
Houseshare
Youngest Media
BBC Three
Paul Hollywood Eats Japan
North One
Channel 4
The Rap Game UK
Naked
BBC Three
Travel Man: 48 Hours in Krakow
North One
Channel 4

Journalist of the Year

Charlotte Cross

ITV News Central
ITV

Darshna Soni

ITN
Channel 4 News

Jonathan Gibson

BBC Birmingham
BBC

Simon Ward

BBC
BBC Inside Ou

Yasmin Bodalbhai

ITV News Central
ITV

News Programme of the Year

BBC East Midlands Today 18:30 programme – Leicester Lockdown
BBC East Midlands Today
BBC
BBC Midlands Today / Covid 2
BBC Midlands Today
BBC
Floods 2020: Uncharted Territory
ITV News Central (West)
ITV
HS2 – Still on Track?
ITV News Central
ITV
Nottinghamshire Child Abuse Scandal
ITV News Central (East)
ITV

On Screen Personality

Craig Charles

The Gadget Show
North One for Channel 5
Channel 5

Guy Martin

North One
Channel 4

Nick Owen

BBC Midlands Today
BBC Midlands Today
BB

Oloni

My Mates A Bad Date
BBC Three
BBC Three

Sameena Ali-Khan

ITV News Central
ITV News Central
ITV

Promotional

Confetti Fields
Conteur
The Real Flower Petal Confetti Company
Formula One Autocentres
CharacterShop & M3 Agency
Really & Home, ESPN, Channel 4 and Sky
Contraption
Big Button
Segro
Sky – Step up, Speak Up
Second Home Studios
Sky
The Comeback
Spark Media
Facebook / Twitter

Short Form

BBC New Creatives
Rural Media supported by Arts Council England
BBC Arts, BBC Four and BBC online platforms
Legacy
Pictureshed
Channel 4 Random Acts
Poet off the Ends
Luke Radford
BBC East Midlands
The Comeback
Spark Media
Facebook / Twitter
Unbreakable
DRPG and Springboard Charity

Writer

Guz Khan and Andy Milligan

Man Like Mobeen
Tiger Aspect Productions
BBC Three

James Graham

Quiz
Left Bank Pictures
ITV

Kit Lambert

Father Brown
BBC Studios
BBC One

Will Hanrahan

Kids Who Kill: Aaron Campbell
FirstLookTV
Crime & Investigation

 

Register here to view the awards on November 25th at 8pm!

 

Source: www.rts.org.uk

Whickers Film & TV Funding Award – Deadline January 31st

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The Whickers Film & TV Funding Award is awarded annually to an emerging filmmaker from anywhere in the world with the most promising pitch for a director-led documentary which fulfils the core criteria detailed below. With a main award worth £80,000 and a runner-up contribution of £15,000, The Whickers Film & TV Funding Award is one of the most significant documentary awards in the world. Applications for 2021 are now open. Apply here.

Key dates for 2021 round:

  • 9th October 2020: Applications open
  • 31st January 2021: Deadline for applications
  • Late April 2021: Shortlisted projects announced
  • June 2021: Finalists pitch their projects at Sheffield Doc/Fest
  • June 2021: Winner of the Film & TV Funding Award announced at Sheffield Doc/Fest Awards Ceremony

CRITERIA

DIRECTOR-LED STORY

  • Storyteller with demonstrably strong interviewing skills.
  • Demonstrates passion for the subject whilst retaining fair-mindedness.
  • Demonstrates a real sense of independence.
  • Personal but not partisan.
  • Wry humour welcome.
  • Strictly no ‘Whicker impersonations’.

ENGAGEMENT

  • Unique access to engaging characters in unusual or inaccessible locations.
  • Allows contributor’s story to emerge in their own words.
  • Demonstrates a flair for coaxing the human spirit into revealing itself.
  • The author demonstrates intimacy with but does not overshadow the subject.

CURIOSITY

  • Spirit of inquisitiveness that leaves viewers wanting more.
  • Tells us about something new and unexpected about the world.
  • Excites wonder.
  • Understands how wit can illuminate the toughest or most nuanced real life drama.

ORIGINAL USE OF TECHNOLOGY

  • Playful with storytelling means – breaking new ground and/or using old ground to re-invent new style

NOT PARTISAN

  • No campaigning, pre-set agendas or political theories.

Apply here.

THE RULES

  • Must be the filmmaker’s first 50+ minute documentary film where they own the director or co-director credit
  • Open to filmmakers from anywhere in the world. We encourage international filmmakers to apply
  • Projects must be at the late development to early production stage at the time of applying – this is not a finishing fund
  • Award money cannot be paid to an individual. Therefore applicants must either: provide proof of company viability; have a fiscal sponsor on board; have a nominated production company on board to create a dedicated project account for their film; or confirm that they are willing to set up a limited company and dedicated project account if shortlisted.
  • Up to six minutes of original taster footage is required at the time of applying
  • Must be accessible for an English-speaking audience – whether in the English language, or subtitled in English
  • Applicants must have an executive producer on board at the time of applying.
  • Should they be shortlisted, applicants must be available to travel to the UK in June 2021 (dates TBC) to pitch their project at Sheffield Doc/Fest (reasonable travel and accommodation covered by The Whickers)
  • In order that The Whickers remains a major funder for the winning film, we ask that the budget for your 50+ minute documentary film does not exceed £400,000.

 

Source: www.whickerawards.com

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New international programme of Covid Supervisor Training just launched!

By Training, Uncategorized No Comments

The Production Guild of Great Britain (PGGB) and the British Film Commission (BFC) are partnering to roll out a new accredited programme of Covid Supervisor training for film and TV production professionals.

Backed by £100,000 investment from BFC, the new High-Level Covid Supervisor Training Programme will be delivered by PGGB and is being developed in consultation with the US-based Producers Guild of America’s Production Safety Task Force. Targeted at Production Managers, Line Producers and Location Managers, it will build on the BFC’s Working Safely During Covid-19 in Film and HETV Drama Production’ guidance published in July, to introduce an international standard of best practice for the Covid safety role during film and television production.

Alex Boden, Producer and Chair of PGGB says: “I’m thrilled to see the PGGB partnering with the BFC on this essential new initiative. The film and TV industry has done an incredible job in re-starting production, but as we head back into lockdown in the UK, keeping the on-set environment safe is paramount. This training programme will help us ensure that Covid supervisors and other production specialists will receive the relevant ongoing training to keep our productions safe and to meet the challenges of the future.”

Samantha Perahia MBE, Head of Production UK, British Film Commission, said: “BFC is delighted to partner with PGGB for this vitally important training programme. In addition to safeguarding the health of the workforce, the right Covid safety measures can also protect production budgets, particularly when Covid Supervisors work with producers from an early stage. The UK remains very much open for business. This significant investment in training shows our commitment to supporting the ongoing excellence of our professional crew.”

Professor Lyndsay Duthie, PGGB CEO says, “Production teams around the world are adapting to new conditions in a united effort to keep the pipeline of  content flowing. Our High-Level Covid Supervisor Training, developed in partnership with the British Film Commission and in consultation with the Producers Guild of America’s Production Safety Task Force, will be the new international standard of best practice for what is now one of the most vital roles within the production team. It will empower the Covid Supervisor to work as efficiently as possible, ensuring the safety of crews in the UK and helping to keep production moving during the pandemic.”

“As productions have restarted around the globe, the Producers Guild of America’s Production Safety Task Force is proud to collaborate with the PGGB and BFC on this important endeavor. This is a moment where Guilds and industry organizations can step in to collectively prepare us for current challenges and forge new practices that move us all forward. We are honored to have the opportunity to help pave the way for producers to create safe and secure work environments while continuing to produce great content,” said Lori McCreary, former PGA President and CEO of Revelations Entertainment.

Helen Curston has been appointed PGGB Director of Training to lead the £100k accredited programme, and takes up her role on 9th November. With a background in production, Helen gained more than a decade’s experience working at the BBC as a Producer and Director before moving into education, first as Lecturer at the University of Kent and then Programme Director for the University of Creative Arts’ BA (Hons) Television Production degree at Maidstone TV Studios, for which she gained ScreenSkills accreditation. She also led on the UCA’s partnership with the BAFTA Albert programme.

Helen Curston says: “I’m very excited to be joining PGGB as Director of Training. These are challenging times and honing skills through structured training is more important than ever for those creative professionals working day-to-day in this industry. I look forward to leading on the new Covid Supervisor Training programme as a first priority, to help productions cut through adversity and move forward safely and successfully.”

The High-Level Covid Supervisor Training will provide a thorough overview of the impact of additional Covid measures on each department involved in production and how the Covid Supervisor’s role brings these elements together. An international standard job description for the Covid Supervisor role will be defined that can be adopted globally and the programme will also include online modules that will be rolled out to a wider international audience. Trainees will become trailblazers, part of the project’s online hub to share best practice and future-proof production techniques as the pandemic continues and evolves.

A call for participants in the training programme will go out later this month.